Compare: LG OLED C4 vs Panasonic Z85A

LG C4 is a television that will likely have no competition in its price range for many users. Thanks to the wide options for purchase, it will appeal to those looking for a TV strictly for movies and series, as well as for gaming. The advanced WebOS system and a remote that works like a mouse will certainly make everyday use much easier and ensure that we will likely stick with this brand for a much longer time. The OLED panel implemented by the manufacturer, resulting from over 10 years of history, shows that it has not yet said its last word. Brightness results in HDR material are very solid and can display an incredibly dynamic and deep image. Here, it’s worth mentioning the excellently implemented dynamic tone mapping feature, which makes HDR10 images look almost as good as Dolby Vision. And if we’re talking about fidelity to artistic vision, we can't forget about how calibratable LG TVs are, allowing for a great deal of freedom for the calibrator and classic calibration for home users, as well as 3D LUT for professionals. However, if we are looking for a gaming TV, then the LG C4, like most of the manufacturer’s OLED TVs, will be the ideal choice. With the implementation of HDMI 2.1 ports and the full use of their potential, we can enjoy extremely smooth gameplay with all the benefits, such as VRR, ALLM, FreeSync, or G-Sync. Of course, the panel, which has a maximum refresh rate of 144 Hz and an advanced smoothing technology, will also allow for very smooth and sharp images during broadcasts of various sporting events. It’s hard not to give a high rating to LG OLED C4, as it's difficult to find a TV in a similar price range with such advanced features among the competition.

The Panasonic Z85A is a basic OLED model from the Japanese manufacturer that fully utilises the potential of its panel. Thanks to OLED technology, we can expect phenomenal image quality in the highest resolution – perfect blacks, excellent contrast, and great HDR effect, especially after professional calibration. Additionally, it supports a full set of HDR formats, so we can easily choose a movie in the best possible quality. Although Panasonic is usually associated with home cinema equipment, the Z85A performs just as well with sports and games. The 120 Hz panel, support for VRR, ALLM, and even functional Dolby Vision in games ensure smooth gameplay without motion blur. The sound is also commendable – although there isn't an impressive soundbar like in the model Z95A, it is still quite pleasant with noticeable bass. Downsides? Primarily the Amazon Fire TV – the operating system that still has teething problems. Many popular apps are missing, and some features are either unavailable or poorly translated (e.g., lack of support for external subtitles). Another issue is the not-so-high brightness, typical of older WOLED panels – in a brightly lit room, this can be a problem. Despite these shortcomings, the Panasonic Z85A is a great option for movie enthusiasts and gamers looking for a versatile TV with outstanding image quality and solid sound. If we can overlook certain system limitations and the less-than-optimal brightness, the Z85A still has a lot to offer. However, if full comfort of use and a richer app ecosystem are crucial for us, then it's worth considering other OLED TVs from competitors as well.

LG OLED C4, as the name suggests, uses an organic panel of its own production. This series definitely belongs to one of the most recognisable on the market. Over 10 years of experience in building self-emissive panels has allowed for the refinement of each subsequent design, with the models from the 2024 range being the quintessence of this process. Of course, the use of this type of screen enables the achievement of flawless contrast and blacks, allowing viewers to immerse themselves in the world created by the director. This is possible thanks to the OLED panel, characterised by the absence of conventional backlighting, which instead allows current to pass through organic pixels. This permits super-accurate image control, thereby eliminating issues such as dimming of delicate fine details or the halo/blooming effect. Looking at both of our test scenes, we can notice two things: perfect light separation and a plethora of details in the movie "Sicario 2".

The Panasonic Z85A uses a WOLED panel, and that means one thing – perfect blacks and infinite contrast. Each pixel lights up and turns off independently, so there’s no smudging or halo effect around bright objects on the screen. Even in the most demanding scenes, the picture looks simply exemplary. In this regard, there’s no room for compromises, which are still present even in the most expensive LCD televisions. Here, Panasonic shines, utilizing organic technology supplied by LG Displays, and does so in truly impressive style.

The results of HDR materials are definitely among the better ones. Practically every film significantly exceeds the 700 nits barrier, which allows for a very realistic image. Of course, none of them surpasses the magical thousand, however, the combination of such results along with unlimited contrast and black effectively boosts the visual outcome. The last of the scenes, featuring a fullscreen sun burst, is indeed less bright than the others, although it still represents a respectable level. It's also worth mentioning the excellent coverage of the DCI-P3 colour palette, which will enable the achievement of exceptionally vivid colours.

The Panasonic Z85A is an OLED television, so you can immediately expect excellent effects in films. And indeed – our tests showed that the WOLED panel can achieve around 800 nits of peak brightness in optimal conditions. This is a solid result, performing well in most demanding HDR scenes, allowing viewers to enjoy a dynamic and detailed picture. However, like every OLED, the Z85A also has its limits. In very bright scenes that fill the entire screen – like the final sequence from the movie The Meg – the television reduces brightness to around 400 nits. This is standard behaviour for this technology, so if someone plans to watch films in a heavily sunlit living room, it is worth keeping this in mind. The coverage of the DCI-P3 colour gamut at 98% also deserves high praise. This allows the television to reproduce a wide range of colours that stand out with vibrancy and depth, while details in HDR scenes are sharp and precise. In short – the Panasonic Z85A delivers a solid HDR effect that will satisfy any film enthusiast.

The best factory mode implemented in the tested television was "Filmmaker". That was the one we used during all tests. This mode, in terms of colour reproduction, turned out to be quite decent, although other flaws effectively detracted from the enjoyment of the viewing experience. Starting with the most basic one, which is white balance, it was easy to notice that this was marked by a dominance of red, which completely altered the characteristics of the picture. We could see a strong yellowing of the whites and a shift of all colours to warmer tones. The gamma, which is a graph as equally important, if not more so, was quite severely reduced, resulting in a significant drop in contrast, except for the start of the graph, where the television insidiously lost details. That’s all regarding SDR materials. Looking closely at films with a wide dynamic range, we can observe exactly the same phenomenon of white balance yellowing as in films with a standard colour palette. The EOTF curve, which replaces the gamma chart for us, is practically perfect and cannot be faulted.

The Panasonic Z85A offers many picture modes, but the Filmmaker mode definitely stands out from the rest. It's rare for a TV straight out of the box to be so well calibrated, and the unit we had the opportunity to test truly impressed us.

However, there were some minor shortcomings. In the SDR signal, we noticed a slight deficit of red and blue, which made the picture appear cooler than it should have been. This is particularly evident in the comparison image. In contrast, with 4K HDR material, the situation was the opposite – the surplus of red made the image seem warmer than intended by the creators. In terms of brightness characteristics (gamma) and maintaining an appropriate EOTF curve, it's hard to find faults. There are slight deviations, but they are so minimal that the average viewer is unlikely to notice them.

It's also worth highlighting that our observations relate to a specific unit of the TV. Two identical models may differ from each other due to natural production variances. Nevertheless, the piece we had in hand looks really solid and deserves praise. Now it's time for our calibration – we'll see if we can squeeze even more out of this screen!

As we mentioned earlier, LG televisions are equipped with advanced tools for carrying out the calibration process. We used them to model the picture in line with what the director envisioned. And without modesty, we must admit that we achieved this phenomenally. Both SDR and HDR materials present a level that clearly indicates this is how a film should look. It's worth taking a look at the colour errors on the "ColorChecker" palette, where practically none of them exceed "1", except for two samples.

The Panasonic Z85A offers truly wide-ranging capabilities when it comes to picture settings, so we eagerly set about calibrating it. Although we mainly focused on adjusting the white balance, the final effect exceeded our expectations. Both HD and 4K HDR content now showcases nearly perfect colour reproduction, with minimal errors that are hard to catch with the naked eye. Well-calibrated TVs are a rarity, and we must admit – it’s truly satisfying. While the gamma and EOTF curve didn't require drastic adjustments, we managed to further stabilise their characteristics across the entire brightness scale. After calibration, the Panasonic Z85A is a true gem for home cinema enthusiasts. The picture is precise, the colours are natural, and every scene looks exactly as the director intended.

The fluidity of tonal transitions in LG televisions has always been a rather sensitive issue, as the manufacturer, despite impeccable performance in other areas, has almost always struggled to get this right. The evaluation results for the fluidity of tonal transitions in the tested television were quite good, with issues mainly visible in darker scenes, such as the last two scenes. Interestingly, this is a significantly better result than the highest model from the manufacturer, namely the LG G4.

The Panasonic Z85A handles tonal transition fluidity really well. Colours blend naturally together without noticeable disruptions or visible bands. However, in brighter scenes, such as the opening sequence in the film Kingsman, slight imperfections can be seen. This is typical for WOLED panels, which have their limitations compared to Samsung Display's QD-OLED designs due to the use of white sub-pixels. The differences aren’t colossal, but a discerning eye will catch them, especially in more demanding scenes with subtle colour gradients. Despite these minor reservations, the Z85A presents a level that will satisfy the overwhelming majority of users. Tonal transitions are smooth, and the image maintains consistency even in complex scenes. This is a solid result that will rarely cause issues in everyday viewing of movies or series.

Once again, we will take a look at the feature responsible for gentle gradation, but we will also address the one that aims to enhance the quality of lower-quality materials. The default smoothing of tonal transitions, as we could see, was not the worst, but it can be improved further. The function has a slider that allows us to adjust its intensity. We recommend using the former, as it produces very good results and does not blur important details.

Image scaling on LG C4 is quite good, however, it cannot be said to be without flaws. The image is slightly sharper by default, although not in a very noticeable way. While jagged edges of trees can be seen, it is not a major issue when compared to other manufacturers.

Now that we know how the Panasonic Z85A handles tonal transitions in 4K material, it’s time to take a look at its "Gradation Smoothing" function. It works, but unfortunately not entirely effectively. Regardless of the chosen value – whether it’s low, medium, or high level – we couldn’t achieve perfectly smooth tonal transitions in our test sequence. We recommend setting this function to an intermediate level. While this may slightly blur fine details, at least it avoids the problem of losing film grain, which can be crucial for many viewers when watching classic productions.

When it comes to image scaling, the TV performs quite well. It’s noticeable that the image is slightly sharpened, and thin lines can sometimes appear a bit jagged. However, this is standard for most TVs, and fortunately, it can be adjusted using the sharpness slider. This gives us full control – we can achieve a more vivid, blurred image or a clearer one, although it may appear more "harsh" and artificially sharp. It all depends on the user's preferences and the type of content we’re watching. Overall, the scaling is at a solid level and should satisfy most users who are using lower resolution material.

The maximum refresh rate we can set on the LG G4 is 144 Hz. Naturally, this is only possible when connecting the TV to a very powerful PC. Otherwise, we will operate at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with a lot of motion dynamics. For those who require high fluidity of the image, the manufacturer has implemented a multi-level motion smoother called "TrueMotion". It has been divided into two separate sliders that adjust the sharpness of moving images (De-Blur) and judder (De-Judder). Both sliders can be set in the range of 0 to 10, with each degree affecting the level of smoothing, allowing everyone to find their sweet spot.

The panel of the LG OLED C4 features an average response time of less than 1 ms (which directly results from our measurements), enabling the achievement of an extremely clear image, unattainable for LCD TVs, which can have response times of up to several milliseconds. This is clearly evident in the images from the "UFO Test," which show no trailing blur behind the object.

The Panasonic Z85A features a 120 Hz panel, which will surely please both gamers and sports fans. Sure, it’s not 144 Hz like some gaming TVs, but in practice, the difference is really hard to notice. In games, the picture is stable and sharp, and during fast action, there’s no sign of any blurring. The same goes for sports – a player’s quick run or a car’s dynamic maneuver looks smooth and natural. The TV also has an “Intelligent Frame Creation” feature, which is a motion smoother. There are two sliders here – one controls motion blur reduction, while the other adjusts motion smoothness. With these, you can tailor the picture to your own preferences – whether you prefer a more cinematic effect with gentle transitions between frames or a maximally smooth image ideal for watching sport.

We can now say that LG C4, like practically every OLED television from the manufacturer, is exceptionally good in terms of cooperation with consoles and PCs. Thanks to the implementation of four full-bandwidth HDMI 2.1 ports at 48 Gbps, the manufacturer has embedded all the features that enhance gaming comfort, including simultaneous support for FreeSync and G-Sync technologies. With such a tandem, players with graphics cards from AMD or nVidia can safely choose C4. However, what should please gamers demanding the highest possible quality the most is the simultaneous implementation of HDR Dolby Vision and HGIG mode. The former is particularly important as it operates with extremely low input lag in all settings.

A standard feature in televisions from the Korean manufacturer is also the implementation of GameBar, allowing for quick adjustments of settings "on the fly," without the need to exit the game. It also allows for image adjustments for people with visual impairments, which is an incredibly nice touch. Another important piece of information is that when VRR technology is enabled, we won’t experience a drop in contrast. This is, of course, due to the design of the panel and the absence of conventional backlighting. It is, however, normal for shades of grey to flicker slightly, although this is a characteristic feature of this function regardless of the manufacturer and television.

In summary: LG C4, just like all the manufacturer's OLEDs equipped with high-refresh-rate panels and HDMI 2.1 connections, creates a harmonious whole with consoles. In practice, it is a complete television, and if we expect the highest possible efficiency in gaming, C4 will be an ideal choice.

Panasonic is mainly associated with home cinema televisions, but the Z85A shows that it can also step into the gaming world with a truly strong punch. It's a device that can easily be called a gaming beast – it has everything needed for comfortable gameplay.

Even though it has only two HDMI 2.1 ports, both operate at full bandwidth, so we can easily connect both a next-gen console and a gaming PC. All the key features are supported: ALLM automatically switches the television into game mode, VRR provides smooth visuals without stuttering and tearing, and with properly implemented HGIG and Dolby Vision, HDR games look really good – colours are vivid, details are sharp, and dark scenes are clear. We also find a Game Bar in the form of a transparent, circular menu. It may not look as impressive as the competition's, but it's intuitive and includes all the most important settings we’d want at hand during gameplay.

In summary – the Panasonic Z85A is a device that truly surprises with its gaming capabilities. It's a television where both console gamers and PC gamers will feel at home. It's smooth, dynamic, and just good.

The latency time of LG C4 is remarkably low in every scenario. Even the most avid gamers will surely appreciate the very low input lag at demanding 4K 120 Hz settings with HDR, which is only 5 ms. It's also worth noting that the lag at these same settings, but with Dolby Vision HDR enabled, remains unchanged, which is not so obvious with the competition. Therefore, it deserves the highest rating and recommendation.

Since the Panasonic Z85A has also been designed with gamers in mind, the input lag had to be refined. And indeed – the results are really excellent. At 120 Hz, the lag is just 5 ms, and at 60 Hz it's 13 ms. These are values that will satisfy even the most demanding gamers, whether we're talking about fast-paced shooters or precise fighting games. The responses to our movements on the controller are practically instantaneous, and the gameplay is smooth and responsive. Importantly, the Dolby Vision mode also works perfectly here. Just a few years ago, using Dolby Vision in games often came with high input lag, but in the Z85A, this problem has been effectively eliminated.

LG C4 combined with a PC works wonderfully, thanks to its very low latency of just 13.5 ms, which is practically instantaneous feedback between the mouse, eye, and screen. An extremely important aspect when working on a screen is the readability of text, which in the case of the tested TV is very good. However, it is worth noting that to achieve sharp fonts, you need to enable the passthrough option in the settings.

The RWBG pixel layout does not significantly affect the display of fonts or letters, which is a significant advantage over Samsung's QD-OLED panels. Users of both Windows-based PCs and macOS will surely be pleased with their experience on the tested TV screen.

Using the Panasonic Z85A as a computer monitor performs really well. The text is readable and clear, making web browsing or working with documents not a major issue. However, one must keep in mind certain limitations of the WOLED panel – the characteristic way of displaying fonts may be bothersome for more demanding users, especially those who spend long hours working with text. In terms of gaming on PC, the television performs just as well as it does with consoles. Low input lag, 120 Hz refresh rate, and proper implementation of G-Sync and FreeSync ensure a smooth and responsive image without annoying stutters or tearing.

The undisputed advantage of OLED panels is their efficiency in the context of group viewing, meaning from various angles. LG C4 maintains very good contrast, colour saturation, and fidelity. Although this isn't a result of organic TVs supported by MLA technology, it's fair to say that anyone who purchased the device was satisfied with the results obtained. However, it should be noted that at sharp angles a slight greenish tint can be observed. This is a characteristic feature of WRGB panels from LG, without the aforementioned micro-lens technology, and unfortunately, there's nothing that can be done about it.

The viewing angles on the Panasonic Z85A are really good – after all, it’s OLED. Whether we’re looking at the screen straight on or at a steep angle, the colours remain vibrant, and the contrast hardly loses quality. Of course, the Z85A falls slightly behind TVs with MLA micro-lenses or Samsung's QD-OLED panels, which currently set the highest standard in this respect. However, the differences are subtle enough that most users won’t notice them during regular viewing.

The maximum brightness of the television in SDR materials is 367 nits. For an OLED television, this is a very good result and allows for quite comfortable viewing during the day. It's worth noting two things. Thanks to the glossy coating of the panel, the light reflections are well held in place and do not spill over the rest of the panel. The second issue is the brightness of the screen when fully filled with white, oscillating around 220 nits, which is a remarkable result, as until recently, OLED televisions in this category could only boast brightness half as much. As a result, the conditions for watching, for example, winter sports will be very good.

The Panasonic Z85A leaves a bit to be desired during the day. The panel, although satin finish, mediocrely suppresses reflections, which can be noticeable in bright rooms. The reflections are not excessively visible, but there is one catch – they take on a bluish hue. In some situations, especially in strong daylight, this can be slightly annoying and distract from the content on the screen. On top of that, the maximum brightness is just under 280 cd/m². That’s simply not enough to comfortably watch TV in a heavily sunlit room. If you plan to watch in the middle of a sunny day, you’ll need to close the windows to ensure the picture looks good.

LG uses the well-known proprietary WebOS system that has been around for many years. The system offers virtually all the major apps, and the few that are missing can be counted on one hand, such as CDA or KODI. It's also worth noting that the modern web browser and the remote with a built-in mouse allow for convenient access to streaming services in this way, if there isn't a built-in app.

WebOS also features a highly praised ability to perform operations using a cursor that appears when the remote is moved. The convenience of this function is invaluable when entering queries or passwords for portals. WebOS, like most systems, also supports features such as screen mirroring, AirPlay, voice searching in Polish, and the ability to connect headphones via Bluetooth. On a more practical note, WebOS allows simultaneous use of headphones and the television speaker, which will certainly be a significant help for those with hearing impairments. One of the more interesting features, particularly appreciated by sports fans, is the ability to turn on an alert for an upcoming match, ensuring that we never miss a broadcast. The home panel also deserves praise, allowing for control of all smart devices connected to the home network. For example, the end of a wash cycle will be signalled by a notification in the top right corner.

In summary, the WebOS system, although less known and with certain limitations compared to Android TV, offers stable and quick performance and supports most functions that users may need. It is a solid solution for those looking for a simple and effective operating system in their television.

The operating system in the Panasonic Z85A is Amazon Fire TV, which is still a relatively new solution in the Australian market. Until now, we mainly associated it with portable smart devices, and now it is also arriving on televisions – similar to the flagship model Z95A.

On the plus side, the system operates smoothly and responsively. It is also quite intuitive, so navigation poses no major problems. Unfortunately, when it comes to the availability of applications, it's somewhat lacking. While the Amazon store does have icons for popular services like SkyShowtime, Rakuten, or Viaplay, they cannot be downloaded. This is a significant disadvantage for those who use these platforms regularly. Additionally, some functions are poorly translated, meaning that in certain areas, you have to guess what they are referring to. However, we believe that these are just growing pains and that over time they will be improved – both in terms of translations and application availability.

As for user features, things are much better. The television supports USB recording and the PiP (picture-in-picture) function. There is also support for AirPlay, which will certainly please users of Apple devices. It also has Bluetooth, but unfortunately, you cannot connect headphones to it – it only works with a keyboard or other controlling devices. Fortunately, you can connect headphones or a home theatre system via wired connection, which resolves this issue.

In summary – the Panasonic Z85A offers a solid set of user features that will perform well in everyday use. The Amazon Fire TV system is a step in the right direction, especially when compared to Panasonic's old system. However, at this time, it is difficult to praise it unequivocally. There is potential, but the manufacturer still has a lot of work ahead to ensure everything functions as it should.

The default file player on LG C4 handles all photo resolutions exceptionally well. It successfully plays videos recorded in practically all the most popular formats, including Dolby Vision. The only codec that the C4 won't play is H.266 VVC, although this is currently rather uncommon. It's a pity that subtitles in .txt format are not supported. Attention should be paid to the supported photo formats, of which there are only three: JPEG, PNG, and, importantly for Apple phone users - HEIC. However, the tested television cannot be faulted for a lack of variety in audio files, which can be played without a compatibility warning.

In terms of playback of files from USB, the Panasonic Z85A performs rather mediocrely. The built-in media player does handle most popular video formats, but it has one significant drawback – it does not support external subtitles. So, if we have older films on our drive or USB stick with separate subtitle files, we have to reckon with the fact that the television simply won't display them. This is quite a downside, especially for those who rely on their own media library rather than streaming services. Of course, this issue can be circumvented by using an external media player (e.g. via a console or Smart TV box), but it's an extra step that could be avoided if the built-in application were better developed.

The audio system implemented in LG C4 is very well tuned, allowing us to experience strong bass as well as balanced mid and high tones. We can confidently say that in its price range, it's one of the better sounding televisions. However, we believe that those deciding to purchase the C4 will already have a dedicated audio set. The presence of DTS-HD Master Audio and Dolby Atmos codecs will also be significant.

In terms of sound, the Panasonic Z85A is pleasantly surprising. The television delivers enjoyable and clear audio, and can generate noticeable bass that adds depth to both movies and music. The surround effect is also quite well reproduced, making watching films or playing games more immersive. Unfortunately, there is one “but”. The television does not support the DTS:X format, which is quite popular among more advanced home theatre systems. So, if we plan to use this audio standard, it will be necessary to connect the audio equipment first to the amplifier or soundbar, and only then to the television.

LG OLED C4 vs Panasonic Z85A

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound