Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Hisense S7NQ CanvasTV

The luminance graph for Philips PUS8959 shows that the television can achieve around 550 nits of brightness, which can be considered a satisfactory level. Such brightness allows you to feel the effects of HDR, which stand out particularly in more demanding scenes. In the tested patterns, the television performed quite well, even in challenging sequences like those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine at the full "power" of the television but at the cost of silvery blacks, which we mentioned in the paragraph about black levels. It’s also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which is around 94.5%. This ensures that the colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

When it comes to the brightness of the television and how it handles bright elements while watching films, it's just average – similar to the contrast. The average brightness level of the Hisense S7NQ is around 500 nits. This is a value that allows you to feel the hints of true HDR, but it's definitely not enough to speak of remarkable effects. However, the television should be praised for its colour gamut coverage – films look very colourful and vibrant. Thanks to the use of a PFS LED (QLED) coating, the device is able to cover more than 90% of the DCI-P3 colour gamut and over 72% of the wider BT.2020 palette. For a television of this class – these are really very good results.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests film quality, it unfortunately falls short of perfection. The biggest issue in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of the red colour and drops in the green levels, resulting in unnatural colour reproduction. For example, white elements of the image have a noticeable pink hue, and the green is less intense, which diminishes the overall naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the proper values, which can best be observed on the sample squares that should precisely reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma graph resembles a roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the whole appear lacking in dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce the brightness levels, negatively impacting the overall picture quality.

Let's check how the Hisense S7NQ CanvasTV performs in terms of colour reproduction in its best factory mode, which is Filmmaker. Right from the start, it’s clear that it’s definitely better than in dynamic or standard mode, but there are still a few things to nitpick. In terms of image quality from HD signals, the colours are slightly skewed – there’s a dominance of cooler blue tones and a lack of red. This makes the image seem a bit too cool.

A similar effect is noticeable in 4K content, but it’s more pronounced there. The excessive exposure of blue tones and lack of red makes the image appear distinctly cold. However, the biggest issue with this TV isn’t the colours themselves but the way brightness is managed. The unit we tested slightly increased brightness compared to the reference value. The result of this is indeed better visibility of details, but at the cost of significantly lighter blacks – which makes the entire image seem more "flat."

A similar phenomenon was observed in the 4K signal – the slightly inflated curve at the beginning of the EOTF graph indicates that the TV has a tendency to overexpose certain scenes. Fortunately, this effect can be improved through professional calibration, which we will discuss in the next point.

After calibration, the Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be regarded as an outstanding result. Additionally, the gamma, which affects brightness in lower quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

When it comes to 4K HDR materials, there is also a noticeable improvement. The white balance, although not as perfect as in HD content, no longer suffers from excessive red exposure, making the image appear more natural and harmonious. Unfortunately, regarding the EOTF characteristic, it’s difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent substantial enhancement in this aspect.

Nevertheless, overall, it looks much better after calibration, making the Philips PUS8959 one of those televisions where it's truly worth investing time in precise calibration to achieve satisfactory image quality.

The results we achieved after calibrating the Hisense S7NQ are really very good. Thanks to the calibration, we managed to eliminate excessive blue tone exposure and deficiencies in red with HD signals. A similar, albeit slightly weaker effect was also achieved with 4K HDR content. Brightness management in HD materials has also improved – the television no longer struggles with brightening the image "overall".

However, there are things that cannot be circumvented. The character of the EOTF curve has hardly changed, and the lack of local dimming means that the smallest elements on the screen will always be slightly overexposed. You just have to come to terms with this when choosing a television with a similar type of backlighting. Nevertheless, the final effect is very good and should fully satisfy the vast majority of users.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function in the minimum position performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In testing, I did not notice that the reduction negatively affected the structure of the image, such as film grain or details of objects – everything remains in its place, which is a big plus for users who value the natural look of film material.

As for digital processing, the image looks pretty good, although it features very softened contours, giving it an almost "leafy" character. This effect may evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be admitted that Philips PUS8959 provides quite subtle yet effective tools for improving tonal transitions without excessive interference with the natural character of the image.

Equally important is how the television handles tonal transitions with a poorer signal – for example, in older films, on television, or on YouTube. Unfortunately, despite the presence of the “Smooth and Gradient Picture” feature, which was supposedly meant to improve this aspect, its functionality is really poor. It’s barely noticeable that it has any real impact on the visibility of colour transitions.

The image scaling is also disappointing. Yes, you can see that the television is trying to “pull up” the quality, but the end result is far from ideal. The image often appears slightly jagged, which is particularly noticeable in the example of tree branches in the background. Additionally, the Hisense S7NQ has a clear tendency to crop the image at lower resolutions, which could result in missing subtitles in the news or finer details in the image.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the TV offers an additional motion smoother that allows adjustment of the frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction". The "Smoothness" function increases the number of frames through interpolation, making movement on the screen smoother, reminiscent of the so-called "soap opera effect". Meanwhile, "Motion Blur Reduction" focuses on minimising streaking and improving motion clarity, which is particularly noticeable in dynamic sequences such as action scenes or fast sports shots.

When it comes to motion fluidity, the television performs really well. Although the S7NQ was primarily designed for displaying static elements – such as images – the manufacturer has used a panel with a refresh rate of 144 Hz. As a result, sports or games look really good on it.

For content that is not recorded at a high frame rate, the manufacturer has provided two features that allow you to adjust the picture to your own preferences. “Motion blur reduction” and “blur” operate on a 10-point scale, enabling a choice between a more cinematic image – with characteristic frame jumps – and a smooth effect reminiscent of a “soap opera.” How to set this up? That’s a personal choice – we leave the decision to you.

Philips PUS8959 is a television that will surely please gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better representation of HDR effects in games. As a result, the image is more aligned with what the game developers intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, particularly important during action games and sports broadcasts. The Game Bar feature provides quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, offering good image quality and suitable smoothness during gameplay.

Even though the S7NQ is an "image" type television, you can actually play games on it. Really. It has practically everything (except for HGiG mode) that a modern gaming television needs. The 144 Hz panel and two full HDMI 2.1 ports allow for seamless connection of two consoles, such as the PlayStation 5 or Xbox Series X/S.

The television supports Automatic Low Latency Mode (ALLM) and Variable Refresh Rate (VRR) without any stutters or issues. It also handles high frame rates at lower resolutions without any trouble. A shoutout to Hisense for the very attractive Game Bar – it displays all available image options, and additionally, we have the ability to enlarge the minimap or turn on the crosshair (because sometimes someone might actually want to "aim" 😉).

The only missing element – as we mentioned earlier – is the lack of proper implementation of HGiG mode. This is the feature responsible for automatically setting the image in games as the developers intended. It’s a shame because it's the only thing that separates the Hisense S7NQ from being a full-fledged gaming "monster".