Compare: TCL C855 vs LG OLED C4

Once again, the manufacturer shows that despite being a relatively young player in Poland (but not globally) when it comes to the RTV market, it certainly cannot be said that it is a second-rate choice. The TCL C855 is an incredibly versatile device that performs well in various applications and excels in its price range. Thanks to Mini LED backlighting, the results for contrast and black levels are very solid, allowing for a deep and vivid image. It is worth noting that the television's algorithm effectively manages to maintain uniformity of blacks, and the blooming effect is rarely noticeable. This backlighting is also a strong point for the television in HDR content, although with some reservations. The TCL C855 can achieve brightness levels of up to 1800 nits, which is an impressive result; however, brightness can drastically drop, even to around 200 nits, when a bright but small element appears on the screen. Another drawback is the boosted mid-tones, which can lead to a loss of contrast and reduce the image's alignment with the director's vision. The television also performs excellently when connected to a console or a powerful PC. In this category, the TCL C855 truly shows its strength, offering extremely low latency and high-quality gameplay, thanks to the full implementation of HDMI 2.1 features. The Google TV operating system is another advantage, providing the user with nearly unlimited possibilities for installing applications, even those outside the official store, thanks to support for APK files.

In summary, the TCL C855 is the ideal choice for those who know what they expect from a television. It is a good, versatile piece of equipment that, although not perfect, offers great picture quality, low gaming latency, as well as a flexible and expanded operating system.

LG C4 is a television that will likely have no competition in its price range for many users. Thanks to the wide options for purchase, it will appeal to those looking for a TV strictly for movies and series, as well as for gaming. The advanced WebOS system and a remote that works like a mouse will certainly make everyday use much easier and ensure that we will likely stick with this brand for a much longer time. The OLED panel implemented by the manufacturer, resulting from over 10 years of history, shows that it has not yet said its last word. Brightness results in HDR material are very solid and can display an incredibly dynamic and deep image. Here, it’s worth mentioning the excellently implemented dynamic tone mapping feature, which makes HDR10 images look almost as good as Dolby Vision. And if we’re talking about fidelity to artistic vision, we can't forget about how calibratable LG TVs are, allowing for a great deal of freedom for the calibrator and classic calibration for home users, as well as 3D LUT for professionals. However, if we are looking for a gaming TV, then the LG C4, like most of the manufacturer’s OLED TVs, will be the ideal choice. With the implementation of HDMI 2.1 ports and the full use of their potential, we can enjoy extremely smooth gameplay with all the benefits, such as VRR, ALLM, FreeSync, or G-Sync. Of course, the panel, which has a maximum refresh rate of 144 Hz and an advanced smoothing technology, will also allow for very smooth and sharp images during broadcasts of various sporting events. It’s hard not to give a high rating to LG OLED C4, as it's difficult to find a TV in a similar price range with such advanced features among the competition.

TCL C855 uses a high-contrast VA panel. The ANSI contrast (without dimming) reached a very respectable 5238:1, which allows for at least very good black levels. Additionally, the panel is equipped with multi-zone Mini LED backlighting, which is divided into 1344 independent dimming zones for the 65-inch model. This number allows for very good results in our tests. It is worth noting that TCL, as one of the few manufacturers, offers such a panel specification without spending excessively, unlike the classic big four manufacturers. As you can see, in the vast majority of scenes we've prepared, the results are impressive, particularly in the first three scenes, as even in the third, with a result of 54,000:1, it cannot be said that the black levels and contrast are weak, as they are more than satisfactory. These worsen in two scenarios: scenes with film strips and when there are many elements surrounded by black on the screen. And just as the last of the test scenes still has excellent contrast, in the final tested scenario, a slight blooming of blacks can be noticed. The frame from the film "Oblivion" performed excellently on TCL C855, and the level of black can even be compared to OLED screens, which is no small feat. It is also worth noting the good separation of lights, which is not an easy thing to achieve. Our flagship scene from "Sicario 2" also performed well in terms of contrast, but it is evident that details are lost in the blacks on the first, second, and third planes. The operation of the backlight control algorithm, which minimizes halo/blooming effects to an absolute minimum, deserves praise as well. However, it is worth noting that very small elements, such as stars, can sometimes be completely dimmed by the TCL C855.

LG OLED C4, as the name suggests, uses an organic panel of its own production. This series definitely belongs to one of the most recognisable on the market. Over 10 years of experience in building self-emissive panels has allowed for the refinement of each subsequent design, with the models from the 2024 range being the quintessence of this process. Of course, the use of this type of screen enables the achievement of flawless contrast and blacks, allowing viewers to immerse themselves in the world created by the director. This is possible thanks to the OLED panel, characterised by the absence of conventional backlighting, which instead allows current to pass through organic pixels. This permits super-accurate image control, thereby eliminating issues such as dimming of delicate fine details or the halo/blooming effect. Looking at both of our test scenes, we can notice two things: perfect light separation and a plethora of details in the movie "Sicario 2".

TCL C855 delivers a highly varied HDR effect. On one hand, the television truly shines, while on the other, it resembles a lower model with FALD backlighting. Such a state of affairs is regularly observed with this brand, so it was not a surprise for us. The first and last scene, which has large light elements, looks phenomenal, "shining" with brightness levels of 1470 and 1820 nits respectively. Such effects will certainly make many people squint, while simultaneously feeling the extraordinary dynamism of the scene itself. You can truly feel as if you were inside the movie. The situation drastically changes when small or minor elements with high luminance surrounded by black appear on the screen. The TCL C855, to avoid the halo effect, significantly reduces brightness to a level of even 240 nits, which is a disappointing outcome, causing the film to not look like it was shot in HDR. The HDR effect in TCL C855 makes watching dynamic scenes more engaging, and the viewer can feel like they are part of the action. Even with smaller elements of high luminance, the television manages to maintain details without excessive dimming. Moreover, the TCL C855 test shows that the brightness of the image is adapted to scenes with a large amount of detail, increasing viewing comfort.

The results of HDR materials are definitely among the better ones. Practically every film significantly exceeds the 700 nits barrier, which allows for a very realistic image. Of course, none of them surpasses the magical thousand, however, the combination of such results along with unlimited contrast and black effectively boosts the visual outcome. The last of the scenes, featuring a fullscreen sun burst, is indeed less bright than the others, although it still represents a respectable level. It's also worth mentioning the excellent coverage of the DCI-P3 colour palette, which will enable the achievement of exceptionally vivid colours.

The best factory mode for the TCL C855 is "Film," and it is on this mode that we conducted all our tests. However, like every mode predefined by the manufacturer, it had flaws that are worth correcting to achieve an image that is as close as possible to what the film producer intended. We will look at the colour characteristics in both SDR and HDR materials. Taking the former into account, we see a clear dominance of green in the white balance, which, as you might guess, gave an unpleasant greenish tint to the entire image. Examining a very important gamma chart, responsible for the contrast of the image, we see a significant deviation from the reference line marked at 2.4. From the left, we can observe a strong spike in the measured value, which at this point caused contrast exaggeration and blending of details into a dark blob. This state of affairs persisted for quite a while, up to 20% of the chart’s value, before then diving below the reference. This, in turn, meant that the image was brightened and contrast decreased significantly. The factory mode performed somewhat better in HDR materials, as the white balance looked quite good, except for the second half, where green again took over. Looking at the EOTF curve, which, unlike gamma, shows the rate of brightness increase, we see primarily two errors: the darkest scenes were too dark, and the brightest ones were overexposed. This, by the way, could be observed in the scene from the film "Pan" in the check paragraph for the TV's HDR.

The best factory mode implemented in the tested television was "Filmmaker". That was the one we used during all tests. This mode, in terms of colour reproduction, turned out to be quite decent, although other flaws effectively detracted from the enjoyment of the viewing experience. Starting with the most basic one, which is white balance, it was easy to notice that this was marked by a dominance of red, which completely altered the characteristics of the picture. We could see a strong yellowing of the whites and a shift of all colours to warmer tones. The gamma, which is a graph as equally important, if not more so, was quite severely reduced, resulting in a significant drop in contrast, except for the start of the graph, where the television insidiously lost details. That’s all regarding SDR materials. Looking closely at films with a wide dynamic range, we can observe exactly the same phenomenon of white balance yellowing as in films with a standard colour palette. The EOTF curve, which replaces the gamma chart for us, is practically perfect and cannot be faulted.

TCL, just like the vast majority of manufacturers, provides advanced calibration tools in its televisions. Here we find 2- and 20-point grey scale adjustments as well as an advanced colour management system. The results, as you can see, are very good and in SDR materials we have significantly approached the reference image. We eliminated both the green tint and the gamma issue, although there is still a slight "kink" at the very beginning. It went a bit worse with HDR materials, which the television ChooseTV C855 did not allow us to model properly. We only managed to slightly adjust the EOTF curve and significantly improve the colours themselves.

As we mentioned earlier, LG televisions are equipped with advanced tools for carrying out the calibration process. We used them to model the picture in line with what the director envisioned. And without modesty, we must admit that we achieved this phenomenally. Both SDR and HDR materials present a level that clearly indicates this is how a film should look. It's worth taking a look at the colour errors on the "ColorChecker" palette, where practically none of them exceed "1", except for two samples.

Nevertheless, an important aspect in assessing image quality are tonal transitions. To achieve a clear image free from posterisation effects, the television must demonstrate very good algorithms for smoothing out colour gradation. We must admit that the applied feature in TCL C855 called "Gradual Smoothing" is one of the better ones we have had the opportunity to test. Practically every scene performs very well here, and nothing can be faulted. The best example of this is the scene from "The Green Knight", which is the most demanding due to the vast number of fine and subtle transitions in the fog. The C855 effectively smooths everything present in the scene and allows the viewer to experience its entire suspense. The only moment where a slight posterisation can be noticed is in a frame from the film "The Green Knight", where the reds in the top left section of the screen contrast against each other.

The fluidity of tonal transitions in LG televisions has always been a rather sensitive issue, as the manufacturer, despite impeccable performance in other areas, has almost always struggled to get this right. The evaluation results for the fluidity of tonal transitions in the tested television were quite good, with issues mainly visible in darker scenes, such as the last two scenes. Interestingly, this is a significantly better result than the highest model from the manufacturer, namely the LG G4.

Once again, we will look at the function of smoothing tonal transitions, but this time also image scaling. The latter is particularly important when watching materials of lower quality, such as some TV programs or older films. We will focus on the function responsible for tonal transitions. Interestingly, just like in the scenes in the previous test, it performed splendidly and smoothed out practically all the choppiness, but here it had problems. Using the menu responsible for the operation of this function, we found that none - not even the strongest - setting helped.

The image scaling in TCL C855 is characterised as one of the best we have had the opportunity to test so far. The image is sharp, but in a way that could be described as natural to our eye. Even small, fine branches do not have jagged contours, and there is no white halo around figures, which is characteristic of weaker scaling systems.

Once again, we will take a look at the feature responsible for gentle gradation, but we will also address the one that aims to enhance the quality of lower-quality materials. The default smoothing of tonal transitions, as we could see, was not the worst, but it can be improved further. The function has a slider that allows us to adjust its intensity. We recommend using the former, as it produces very good results and does not blur important details.

Image scaling on LG C4 is quite good, however, it cannot be said to be without flaws. The image is slightly sharper by default, although not in a very noticeable way. While jagged edges of trees can be seen, it is not a major issue when compared to other manufacturers.

The maximum refresh rate that we can set on TCL C855 is 144 Hz. Naturally, this is only possible when connecting the TCL C855 TV to a very powerful PC. Otherwise, we will operate at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with a high level of motion dynamics. For those who require high fluidity of image, the manufacturer has implemented a multi-level motion smoother. It has been divided into two separate sliders that adjust the sharpness of moving images (Blur Reduction) and judder (Judder Reduction). Both sliders can be set in the range of 0 to 10, with each level affecting the degree of smoothing, so everyone can find their sweet spot. We present a setting that allows for slight smoothness without the soap opera effect.

The panel of TCL C855 features a very good response time. This is especially important, as VA panels often have issues with so-called ghosting, which is the effect where a black halo can be noticed behind a fast-moving object.

The maximum refresh rate we can set on the LG G4 is 144 Hz. Naturally, this is only possible when connecting the TV to a very powerful PC. Otherwise, we will operate at a maximum refresh rate of 120 Hz, which is recommended if we primarily want to watch sports or content with a lot of motion dynamics. For those who require high fluidity of the image, the manufacturer has implemented a multi-level motion smoother called "TrueMotion". It has been divided into two separate sliders that adjust the sharpness of moving images (De-Blur) and judder (De-Judder). Both sliders can be set in the range of 0 to 10, with each degree affecting the level of smoothing, allowing everyone to find their sweet spot.

The panel of the LG OLED C4 features an average response time of less than 1 ms (which directly results from our measurements), enabling the achievement of an extremely clear image, unattainable for LCD TVs, which can have response times of up to several milliseconds. This is clearly evident in the images from the "UFO Test," which show no trailing blur behind the object.

The TCL C855 television is equipped with full HDMI 2.1 ports with a bandwidth of 48 Gb/s. During our tests, we confirmed the seamless operation of all functions that come with this standard. As you can see, all the checkboxes light up green, which will certainly be appreciated by gamers, both console and those using the television as a computer monitor. Additionally, the TCL C855 supports both AMD FreeSync and NVIDIA's G-Sync, which can be easily activated in the graphics card settings. Users with very powerful setups can provide a 144 Hz signal to the C855, which the television handles effortlessly. It's also worth mentioning the implementation of the HGIG mode, which, due to the shortcomings of the "Game" mode, is overly bright, making it difficult to configure properly on-screen. Fortunately, the television performs excellently with the Dolby Vision format.

The TCL C855, as one of the first manufacturers, has equipped its televisions with a special GameBar feature that allows extensive setting changes on the fly, without the need to exit the game. It includes functions such as an additional crosshair grid, black level correction, and settings for individuals with disabilities. In the photo, we see the next generation of this solution.

In summary, the TCL C855 television will be an ideal solution for those looking for a screen for any kind of electronic gaming. With all the features supporting such entertainment, it is incredibly engaging. It should also be emphasized that it has very low input lag, regardless of the selected settings, including with the Dolby Vision HDR format.

We can now say that LG C4, like practically every OLED television from the manufacturer, is exceptionally good in terms of cooperation with consoles and PCs. Thanks to the implementation of four full-bandwidth HDMI 2.1 ports at 48 Gbps, the manufacturer has embedded all the features that enhance gaming comfort, including simultaneous support for FreeSync and G-Sync technologies. With such a tandem, players with graphics cards from AMD or nVidia can safely choose C4. However, what should please gamers demanding the highest possible quality the most is the simultaneous implementation of HDR Dolby Vision and HGIG mode. The former is particularly important as it operates with extremely low input lag in all settings.

A standard feature in televisions from the Korean manufacturer is also the implementation of GameBar, allowing for quick adjustments of settings "on the fly," without the need to exit the game. It also allows for image adjustments for people with visual impairments, which is an incredibly nice touch. Another important piece of information is that when VRR technology is enabled, we won’t experience a drop in contrast. This is, of course, due to the design of the panel and the absence of conventional backlighting. It is, however, normal for shades of grey to flicker slightly, although this is a characteristic feature of this function regardless of the manufacturer and television.

In summary: LG C4, just like all the manufacturer's OLEDs equipped with high-refresh-rate panels and HDMI 2.1 connections, creates a harmonious whole with consoles. In practice, it is a complete television, and if we expect the highest possible efficiency in gaming, C4 will be an ideal choice.

The lag time of the TCL C855 is astonishingly low in every scenario. Even the most passionate gamers will surely appreciate the very low input lag at demanding 4K 120 Hz settings with HDR, clocking in at just 7 ms. Furthermore, the lag at these same settings, but with Dolby Vision HDR enabled, remains at the same level, which isn't so obvious with competing models. Therefore, the TCL C855 deserves the highest rating and recommendation.

The latency time of LG C4 is remarkably low in every scenario. Even the most avid gamers will surely appreciate the very low input lag at demanding 4K 120 Hz settings with HDR, which is only 5 ms. It's also worth noting that the lag at these same settings, but with Dolby Vision HDR enabled, remains unchanged, which is not so obvious with the competition. Therefore, it deserves the highest rating and recommendation.

TCL C855 when connected to a computer as a monitor performs very well. This is thanks to the very low latency between the mouse-eye-screen and the excellent readability of fonts, which comes from the proper implementation of chroma 4:4:4 at all resolutions, including 4K@144Hz. The subpixel layout is BGR, which does not negatively impact usage in Windows. However, the situation may change when using macOS or other software that may not be able to adjust fonts to this subpixel layout. Additionally, the TV has minor issues displaying fonts on a black background, for which we deducted some points.

LG C4 combined with a PC works wonderfully, thanks to its very low latency of just 13.5 ms, which is practically instantaneous feedback between the mouse, eye, and screen. An extremely important aspect when working on a screen is the readability of text, which in the case of the tested TV is very good. However, it is worth noting that to achieve sharp fonts, you need to enable the passthrough option in the settings.

The RWBG pixel layout does not significantly affect the display of fonts or letters, which is a significant advantage over Samsung's QD-OLED panels. Users of both Windows-based PCs and macOS will surely be pleased with their experience on the tested TV screen.

A widely known drawback of VA panels without an angle coating is their poor performance regarding viewing angles. The same is true for the TCL C855, where even a slight off-axis shift leads to significant image washout and colour degradation.

The undisputed advantage of OLED panels is their efficiency in the context of group viewing, meaning from various angles. LG C4 maintains very good contrast, colour saturation, and fidelity. Although this isn't a result of organic TVs supported by MLA technology, it's fair to say that anyone who purchased the device was satisfied with the results obtained. However, it should be noted that at sharp angles a slight greenish tint can be observed. This is a characteristic feature of WRGB panels from LG, without the aforementioned micro-lens technology, and unfortunately, there's nothing that can be done about it.

The glossy finish of the panel on the TCL C855 prevented it from achieving the highest rating for TV performance during daytime viewing, although it is precisely due to this that the blacks during the day are very good. Thanks to the high brightness in SDR content, the actress's face strongly stands out through reflections. However, a downside of the panel is that light hitting directly on the TV "spills" out rather than being contained in one spot. Generally speaking, if sunlight doesn't hit the panel, the TCL C855 will be a very good choice for brightly lit rooms.

The maximum brightness of the television in SDR materials is 367 nits. For an OLED television, this is a very good result and allows for quite comfortable viewing during the day. It's worth noting two things. Thanks to the glossy coating of the panel, the light reflections are well held in place and do not spill over the rest of the panel. The second issue is the brightness of the screen when fully filled with white, oscillating around 220 nits, which is a remarkable result, as until recently, OLED televisions in this category could only boast brightness half as much. As a result, the conditions for watching, for example, winter sports will be very good.

TCL C855 operates on the Google TV system, which is a significant advantage compared to TVs equipped with proprietary systems from manufacturers, where installing applications from a USB drive can be challenging or often downright impossible. With Google TV, we have the option to install almost any application, both from the official store and directly from internet repositories via APK files.

This system also offers many conveniences in terms of control. We can connect a keyboard with a touchpad, which significantly simplifies entering queries. Additionally, thanks to integration with Google, we can utilise voice control features using the remote, which works very well, although there can be minor issues with translating functions and options. It’s worth mentioning that Google TV regularly receives updates that improve functionality and introduce new options. We can also confirm that according to reports from users of older models, the software can have its off days, and sometimes it does have its "bad day".

In summary: Google TV is currently one of the most popular systems on the market. Thanks to its powerful CPU, it runs very smoothly, does not freeze, and has no issues with stuttering for a significant part of its usage. This is definitely the best option for those who want to make the most of the TCL C855 TV’s capabilities and appreciate the openness of the system.

LG uses the well-known proprietary WebOS system that has been around for many years. The system offers virtually all the major apps, and the few that are missing can be counted on one hand, such as CDA or KODI. It's also worth noting that the modern web browser and the remote with a built-in mouse allow for convenient access to streaming services in this way, if there isn't a built-in app.

WebOS also features a highly praised ability to perform operations using a cursor that appears when the remote is moved. The convenience of this function is invaluable when entering queries or passwords for portals. WebOS, like most systems, also supports features such as screen mirroring, AirPlay, voice searching in Polish, and the ability to connect headphones via Bluetooth. On a more practical note, WebOS allows simultaneous use of headphones and the television speaker, which will certainly be a significant help for those with hearing impairments. One of the more interesting features, particularly appreciated by sports fans, is the ability to turn on an alert for an upcoming match, ensuring that we never miss a broadcast. The home panel also deserves praise, allowing for control of all smart devices connected to the home network. For example, the end of a wash cycle will be signalled by a notification in the top right corner.

In summary, the WebOS system, although less known and with certain limitations compared to Android TV, offers stable and quick performance and supports most functions that users may need. It is a solid solution for those looking for a simple and effective operating system in their television.

The default media player on the TCL C855 handles practically all the media we've prepared for it very well. Almost every video format is supported. However, an important downside may be the lack of a font colour change feature. There are hardly any issues with photos and their maximum resolution. It's definitely worth noting the absence of support for Apple's HEIC and SVG files. On the other hand, we can play audio files without any problems, and we don't think many of you are using AIFF or DSD64. One undeniable advantage of the C855 and its operating system is that at any time we can download another player from the app store that will play anything.

The default file player on LG C4 handles all photo resolutions exceptionally well. It successfully plays videos recorded in practically all the most popular formats, including Dolby Vision. The only codec that the C4 won't play is H.266 VVC, although this is currently rather uncommon. It's a pity that subtitles in .txt format are not supported. Attention should be paid to the supported photo formats, of which there are only three: JPEG, PNG, and, importantly for Apple phone users - HEIC. However, the tested television cannot be faulted for a lack of variety in audio files, which can be played without a compatibility warning.

When assessing the sound on the TCL C855, we pay attention to several key aspects, such as whether the tones are clearly audible and do not interfere with each other, as well as whether none of them dominates the others. In the case of the TCL C855, the sound performs well – it is balanced and does not evoke any negative feelings. Generally, the sound is simply good.

For those with a home theatre system, the TCL C855 offers a wide range of audio codecs, including the two most important ones: DTS-HD Master Audio and Dolby Atmos. This ensures high sound quality that will satisfy users seeking better audio experiences.

The audio system implemented in LG C4 is very well tuned, allowing us to experience strong bass as well as balanced mid and high tones. We can confidently say that in its price range, it's one of the better sounding televisions. However, we believe that those deciding to purchase the C4 will already have a dedicated audio set. The presence of DTS-HD Master Audio and Dolby Atmos codecs will also be significant.

TCL C855 vs LG OLED C4

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound