Samsung DU8002 (IPS) vs Hisense A7NQ

The HDR effect in the DU8002 television leaves much to be desired. A brightness level of 300 nits is not able to provide a true high dynamic range experience, making the content viewed resemble more of a standard SDR than impressive HDR. Scenes that should dazzle with brightness and detail appear muted and lacking in depth. Nevertheless, the television deserves praise for its high coverage of the DCI-P3 color palette at 92%. As a result, the colors are vivid and saturated, which may satisfy viewers who prefer rich hues, even if the HDR effect does not fully meet expectations.

We checked how the Hisense A7NQ performs with HDR, and there are no surprises here. The luminance chart showed a maximum brightness of 370 nits. The result? Exactly what one could expect – average. At a brightness of around 350 nits, HDR does not stand out particularly compared to SDR. Yes, a subtle difference can be seen in more brightly lit scenes, but it’s not a jaw-dropping effect. As for the coverage of the wide color gamut, the result was 92% for DCI-P3 and 70.2% for BT.2020. These are decent values for a TV in this class that uses an PFS coating – the same one that is sometimes promoted as QLED. Colors look good, but let’s not expect anything that competes with the best screens on the market. HDR on the Hisense A7NQ is more of an addition than a "game changer." For those looking for solid picture quality on a moderate budget – absolutely acceptable. However, if we expect full HDR capabilities, it is worth looking at higher-end models.

DU8002 offers a Filmmaker mode, which is supposed to provide authentic image reproduction in line with the creators' intentions. Unfortunately, despite the promising name, the results are far from ideal. The white balance in this mode shows significant drops in blue color, leading to a noticeable yellowing of the image, which can be seen, for example, in our comparison photo. Colour Checker tests confirm these errors. As for brightness, the gamma characteristic is too low compared to the reference line of 2.4, resulting in excessive screen brightness. A similar problem occurs with 4K content – the EOTF responsible for brightness in 4K material shows significant increases above the reference line, leading to excessively bright small light elements. As a result, the Filmmaker mode in DU8002 does not meet expectations and instead of offering high quality, presents an image full of tonal and color inaccuracies.

When testing the Hisense A7NQ in Filmmaker mode, we hoped for compliance with the manufacturer's assumptions, but unfortunately, reality looks different. The main issue, as with most TVs, is the white balance. In the case of the A7NQ, we noticed a clear dominance of blue, which affected both lower quality materials and 4K HDR content. The Color Checker test results confirm this, and the comparison images speak for themselves – the main actress appears cool and pale in "factory" mode. It looks as if she has been stripped of life.

Regarding brightness characteristics, both gamma and the EOTF curve show that the image is excessively bright. As a result, everything seems flat, lacking depth and contrast. This state of affairs definitely does not work in favor of the A7NQ and makes the viewing experience in factory mode leave much to be desired. If we expect natural color reproduction and appropriate image depth, the A7NQ in Filmmaker mode is unlikely to impress us. It is a TV that requires significant adjustment to extract its potential.

Samsung is one of those companies that offers advanced tools for improving image quality in its televisions, including a 20-point white balance adjustment. Even with the budget model DU8002, with the right adjustments, surprisingly good results can be achieved. The white balance, especially for HD content, performs really well - tests on the Colour Checker palette confirm accuracy at the level of 2–1.5, which demonstrates the significant capabilities of this television in color reproduction. In 4K content, although not as perfect as in lower quality material, the overall picture looks much better.

The gamma brightness has also been heavily adjusted, ensuring that the image is not overly brightened and looks more natural. What about the EOTF curve? At first glance, it seems fine, but upon closer inspection, especially in film tests, it becomes apparent that the television struggles due to its low contrast panel. The EOTF drops below the reference line. Nevertheless, the DU8002 is an example of a budget model where investing in calibration is worthwhile. Although structural flaws, such as the type of backlighting, cannot be completely eliminated, color accuracy is surprisingly good, especially considering its price.

The Hisense A7NQ offers several tools that allow you to improve image quality, so we decided to take matters into our own hands and "dig around" in the settings a bit. Thanks to professional tools and measurements, we managed to correct the white balance, eliminating the excessive dominance of blue color in both HD and 4K materials. This is a significant step forward, as in the Color Checker test, color reproduction errors in lower quality content dropped to a much more acceptable level. Unfortunately, 4K materials are still far from ideal – color distortions are considerable and stem from the limitations of the television.

As for gamma, we managed to set it at the correct level, which significantly reduced excessive brightness of the image. However, the issue with brightness characteristics in 4K content remains unresolved – the EOTF curve still shows excessive illumination of the entire screen. It is possible that a proper implementation of dynamic tone mapping could help here, but as we mentioned earlier, this feature on the Hisense A7NQ works rather poorly instead of being helpful. Nevertheless, calibration significantly improved the overall image perception. The director's vision is now much better conveyed than in the factory settings, which more demanding viewers will certainly appreciate.

Smoothing tonal transitions on the DU8002 television leaves mixed feelings. Although the menu offers an option for smoothing tonal transitions, in practice it yields no results and can even generate unwanted side effects.

Nevertheless, the television handles upscaling, or digital image processing, excellently. The test chart featuring a model looked really good – the image is not overly jagged, and the overall presentation is decent and pleasing to the eye. This is definitely good news for those planning to watch traditional television on this model.

The Hisense A7NQ impresses with smooth tonal transitions in 4K materials, but unfortunately, there is no feature here that would improve this aspect in older materials of lower quality. In such cases, color merging becomes more visible, which can somewhat spoil the viewing experience, especially in scenes with a lot of gradients.

When it comes to upscaling, the TV performs surprisingly well. The image is clearly improved, although it does come with some compromises. One can notice that the TV adds a bit of artificial sharpness, and elements in the background, such as branches, tend to exhibit slight "jagginess." These are details, however, that will mainly catch the eye of those who pay attention to such nuances.

DU8002 with a 60 Hz panel is a television that performs better for watching movies than for intense gaming. The motion smoothing feature acts as a fluidizer, smoothing out motion and giving scenes a more fluid appearance, which is useful for movie screenings. In the context of gaming, this model will rather be suitable only for occasional entertainment.

The Hisense A7NQ is equipped with a 60 Hz matrix, which means that dynamic scenes – for example, in sports or games – are somewhat average here. This is standard for this class of equipment, but it must be admitted that watching more intense, fast-moving content can leave a lot to be desired. However, when it comes to movies, the TV offers a motion smoothing feature that operates on a 10-level scale. The "motion blur reduction" option allows you to adjust the fluidity of the image to your own preferences. At the lowest setting, you get a natural film frame rate, which will please cinema purists. On the other hand, the maximum setting provides a very smooth, theatrical image that may appeal to those who prefer a more "smoothed out" motion.

DU8002 is a television that will mainly serve as equipment for casual gamers. The 60 Hz panel does not provide the highest motion fluidity, so in dynamic games there may be a lack of that extra smoothness of the image. On the positive side, it features ALLM and HGiG functions, which automatically adjust image settings for HDR games, enhancing the gaming experience. Unfortunately, the television is equipped only with HDMI 2.0 ports, so we have to forget about more advanced features like VRR or support for 4K at 120 Hz. When choosing this equipment, we will have to make do if we expect a full set of gaming features.

Hisense A7NQ is a device that can pleasantly surprise gamers, although it is not without its faults. The fact that we have a 60 Hz panel immediately suggests that the TV is not designed for the most demanding gaming scenarios. The motion blur we described earlier can also be a hindrance, especially in dynamic games.

However, there are several things worth praising. The TV supports ALLM (Auto Low Latency Mode) and VRR (Variable Refresh Rate), which are not always standard in this price range. The biggest surprise, however, is that the A7NQ can display images at 120 Hz – although only in Full HD resolution, it is still a significant nod to gamers. This allows a choice between smoothness and resolution, which is not obvious in TVs at this price point.

A nice addition is the Game Bar, which is clear and practical – all the main features are at hand without digging through the settings. However, there is a lack of support for HGiG, which may be disappointing for gamers looking for perfect HDR in games.