Compare: Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Hisense S7NQ CanvasTV

Philips PUS8959, also known by other designations under the abbreviation PUS89 (depending on the sales network), is a model from the popular series The One. Its biggest distinguishing feature is the Ambilight system, which continues to make a great impression. The three-sided lighting adapts to the picture on the screen, making films, series, or games literally spill over the edges of the television. The One is also a good option for gamers. The 120 Hz matrix and low input lag ensure that games run smoothly, and motion on the screen is clear. We tested several dynamic titles on the console, and the television handled them without any issues – no stutters or delays. Additionally, support for HGiG allows for better reproduction of HDR effects in games. This is an excellent solution if we care about consistency of the image with what the creators intended. The picture quality is at a good level, especially during the day. With a brightness of 550 nits, The One performs well even in well-lit rooms, and Dolby Vision in HDR films delivers vibrant colours and sharp details. However, the ADS matrix has its limitations – the black in dark scenes resembles a grey shade more, which can be noticeable when watching in a darkened room. When we watched films with the lights off, the lack of depth in the blacks was somewhat striking. The operating system Titan OS is something that still requires refinement. It is fast, but the limited number of applications can be frustrating for those accustomed to more robust platforms, such as GoogleTV. For daily use of Netflix or YouTube, it works flawlessly, but if we expect more advanced features, the system may not meet our expectations. Generally, Philips The One is a good choice in its price class. The Ambilight system impresses and significantly enhances the viewing experience, especially in the evening. It is also a solid option for gamers, thanks to the fluidity of the image and low input lag. While the black isn't perfect, and the operating system needs improvement, the television performs well in everyday use. For fans of unique solutions, such as Ambilight, it is a proposal that definitely deserves attention.

The Hisense S7NQ Canvas TV is a very interesting proposition, especially for those looking for something in the style of a picture-television but do not want to spend a fortune. At first glance, it stands out primarily because the gallery mode featuring works of art is completely free – there is no subscription to pay, as is the case with Samsung's The Frame. Moreover, in the box, we immediately get a light brown frame, which will be an additional bonus and saving for many people. Although it is essentially a TV for displaying art, surprisingly, it also performs quite well in other applications. The 144 Hz panel, full HDMI 2.1, support for VRR and ALLM – all this makes gaming on consoles quite possible and quite enjoyable. The Vidaa system operates smoothly, and we find all the most important apps and features here, such as AirPlay, USB recording, or screen mirroring from a phone. However, there are also things that fall a bit short. Above all – the images themselves. Compared to The Frame by Samsung, here they simply look more digital. It lacks the depth, texture of paint, and subtle details that really impress with the competitor. Although at first glance we are dealing with a similar matte panel, in practice, it performs significantly worse at suppressing reflections. Colours and blacks fade much quicker, especially in a bright room. This could also be the effect of lower brightness – Hisense is simply darker than its Korean rival. On top of that, there are minor software issues – for example, the inability to display external subtitles despite configuration options, or the not entirely effective image smoothing feature for lower quality materials. In short: the S7NQ is a good TV in the form of a "picture," which can be a great alternative for those who do not mind the lower quality of displayed works but appreciate the lack of subscription fees, an additional frame included in the package, and full functionality of a typical television. It is not an ideal product, but a reasonable compromise for Samsung's The Frame.

The Philips PUS8959 television is based on ADS technology, which offers slightly different parameters compared to popular VA matrices. In the tested images, the contrast measured around 2000:1, making the black levels far from ideal. ADS panels are known for their weaker contrast compared to VA matrices, which in practice means that instead of deep blacks, we see more navy or grey shades. However, the ADS panel is still better than a standard IPS panel, which cannot achieve such a level of contrast. Additionally, the Philips PUS8959 is not equipped with local dimming technology, which could improve these parameters. The absence of this function exacerbates the effect of shallow blacks, particularly noticeable in dark scenes, like those in the film "Sicario 2". Instead of intense blacks, the screen produces a silvery glow, which can be bothersome, especially when watching in darker conditions. All of this causes the visual experience to lose depth, and details in dark scenes are not as well visible as one might expect from higher-end screens. Despite the lack of local dimming, the television is equipped with something called Global Dimming. The television is capable of completely dimming the panel to achieve higher contrast, but at the cost of details that may blend together, for example, lights in the test image from the film Oblivion. It is worth mentioning that the model we received for testing has quite significant patches resulting from uneven backlighting, although this is not a rule, one must consider that we may receive a unit like this when purchasing.

The Hisense S7NQ CanvasTV is a television equipped with a VA panel, which in itself provides decent contrast. This is confirmed by our test charts – an average score of around 4000:1. It's not a stunning value, but for this class of device – quite decent. Perhaps the result would have been significantly better if the television had been equipped with local dimming technology, however, unfortunately, this model lacks it. As a result, blacks in a completely darkened room resemble shades of navy or grey rather than pitch black. This situation causes a slightly noticeable clouding effect. Generally, it's okay, but without much enthusiasm.

The luminance chart for Philips PUS8959 shows that the television is capable of achieving around 550 nits of brightness, which can be considered a satisfactory level. This brightness allows for the effects of HDR to be experienced, particularly standing out in more demanding scenes. In the tested test patterns, the television performed quite well, even in challenging sequences such as those from "Sicario 2". Due to the lack of local dimming, the television does not dim small bright elements, and they shine with the full "power" of the television but at the expense of the silvery blacks mentioned in the paragraph about black levels. It is also worth praising Philips PUS8959 for its good coverage of the DCI-P3 colour palette, which amounts to approximately 94.5%. As a result, colours are vivid and close to the creators' intentions, which further enhances the quality of HDR effects and the experience of watching high dynamic range content.

When it comes to the brightness of the television and how it handles bright elements while watching films, it is simply average – similar to the case with contrast. The average brightness level of the Hisense S7NQ is around 500 nits. This is a value that allows one to feel the beginnings of true HDR, but it is definitely too little to speak of remarkable effects. However, the television should be praised for its colour gamut coverage – films look very colourful and vibrant. Thanks to the use of PFS LED (QLED) coating, the device is capable of covering over 90% of the DCI-P3 colour palette and over 72% of the wider BT.2020 palette. For a television of this class – these are really very good results.

The television Philips PUS8959 has been tested in the best, theoretically most precise picture mode – Filmmaker. Although the name suggests cinematic quality, it unfortunately falls short of perfection. The biggest problem in this mode is the white balance, both in HD and 4K content. It is characterised by a significant dominance of red colour and drops in green levels, resulting in unnatural colour reproduction. For example, white elements in the image have a noticeable pink hue, and the green is less vibrant, causing the overall image to lose its naturalness and colour balance. The ColorChecker test confirms these errors – it is clearly visible how the colour samples "deviate" from the correct values, which can be best observed on the sample squares that should accurately reproduce the colours. The lack of accuracy in this regard affects the realism and fidelity of the image, which is particularly undesirable in Filmmaker mode.

As for the brightness characteristics, the gamma chart resembles a true roller coaster – with small elements displayed on the screen, the brightness is excessive, causing details to become overly exposed. Conversely, at higher gamma values, the image loses contrast and becomes too dark, making the overall appearance lack dynamism. Similar problems can be observed in the EOTF characteristics – the television is unable to accurately reproduce brightness levels, negatively impacting the overall picture quality.

Let's now check how the Hisense S7NQ CanvasTV performs in colour reproduction in the best factory mode, which is Filmmaker. Right from the start, it is clear that it is decidedly better than in dynamic or standard modes, but there are still a few things to nitpick. Regarding image quality from an HD signal, the colours are slightly inaccurate – there is a dominance of cooler shades of blue and a lack of red. This makes the image appear somewhat too cool.

A similar effect can also be observed with 4K content, but there it is much more noticeable. The excessive exposure of blue tones and the lack of red result in the image appearing distinctly cold. However, the biggest problem with this television is not the colours themselves but the way brightness is managed. The tested unit slightly boosted brightness compared to the reference value. While this results in better visibility of details, it comes at the cost of significantly brightened blacks – causing the entire image to seem more "flat".

A similar phenomenon was noticed in the 4K signal – the slightly elevated curve at the beginning of the EOTF chart shows that the television has a tendency to overexpose certain scenes. Fortunately, this effect can be improved with professional calibration, which we will discuss in the next point.

After calibration, the television Philips PUS8959 shows a significant improvement in colour reproduction, especially in HD content. The white balance is exceptionally even, and the Delta E error values are below 1, which can be considered a remarkable result. Additionally, the gamma, responsible for brightness in lower-quality materials, performs very well, maintaining a stable level at 2.4, leading to an appropriate balance between bright and dark areas of the image.

As for 4K HDR materials, a significant improvement is also visible. The white balance, although not as perfect as with HD content, no longer exhibits issues with excessive red exposure, resulting in a more natural and harmonious image. Unfortunately, regarding the EOTF characteristic, it is difficult to speak of any significant improvement, which stems from the structural limitations of the television that prevent any substantial enhancement in this aspect.

Nevertheless, the overall performance is significantly better after calibration, making the Philips PUS8959 one of those televisions where it is truly worth dedicating time to precise calibration to achieve satisfactory picture quality.

The results we achieved after calibrating the Hisense S7NQ are really very good. Thanks to the calibration, we managed to eliminate the excessive exposure of blue tones and deficiencies in red with HD signal. A similar, albeit slightly weaker effect was also achieved with 4K HDR content. Managing brightness in HD material has also been improved – the television no longer has issues with brightening the image "across the board."

However, there are things that cannot be bypassed. The characteristic of the EOTF curve has practically not changed, and the lack of local dimming means that the smallest elements on the screen will always be slightly overexposed. One simply has to come to terms with this when choosing a television with a similar type of backlighting. Despite this, the final effect is very good and should fully satisfy the vast majority of users.

The gradation on the Philips PUS8959 television looks very good, offering smooth tonal transitions in most scenes. Sometimes minor issues can be observed, especially during transitions between certain colours, where slight unevenness is noticeable. However, these imperfections are subtle enough that they do not significantly impact the overall viewing experience and can be considered completely acceptable. In everyday use, the television provides sufficiently good gradation quality to satisfy even more demanding users, maintaining the naturalness of the image and a lack of glaring tonal distortions.

The fluidity of tonal transitions is one of those categories that even less advanced users can notice. If someone doesn't understand what it means — we're explaining it now. It concerns whether the colours blend smoothly into one another or if their "gluing" is visible in the form of distinct bands. Good tonal transitions are those that are natural and smooth, without large jumps in colour.

The Hisense S7NQ performs very well in this category, although it must be admitted that it fares slightly worse than Samsung The Frame. In very bright scenes, slight imperfections can be noticed, but you really need a keen eye to catch them. Overall, as with most "frame" style televisions, it still performs excellently.

When it comes to smoothing tonal transitions, the "Distortion Reduction" function at its minimum setting performs quite well, effectively smoothing tonal transitions without excessive impact on other elements of the image. In tests, I did not notice that the reduction negatively affected the image structure, such as film grain or object details – everything remains in its place, which is a significant plus for users who appreciate the natural look of film materials.

As for digital processing, the image looks quite good, although it features very softened contours, giving it an almost "misty" character. This effect can evoke mixed feelings – some users will appreciate the fluidity and delicacy of this type of presentation, while others may find it too gentle, losing detail. It is a matter of individual preference, but it must be said that the Philips PUS8959 provides fairly subtle yet effective tools for improving tonal transitions without excessive interference in the natural character of the image.

Equally important is how the television handles tonal transitions on a poor signal – for example, in older films, television, or on YouTube. Unfortunately, despite the presence of the "Smooth and Gradient Picture" feature, which was supposedly meant to improve this aspect, its performance is truly poor. It's barely noticeable that it has any real impact on the visibility of colour transitions.

The image scaling is also lacking. Yes, it can be observed that the television tries to "enhance" the quality, but the end result is far from ideal. The image often appears slightly jagged, which is particularly noticeable in the example of tree branches in the background. Additionally, the Hisense S7NQ has a clear tendency to crop the image at lower resolutions, causing subtitles in news items or finer details in the image to be missed.

Philips PUS8959 TV is equipped with a 120 Hz panel, which should satisfy more demanding users, especially those who love watching dynamic sports broadcasts or playing games. Such a high refresh rate allows for significantly smoother images, being a key aspect during dynamic scenes and fast actions.

For those who prefer watching movies, the television offers an additional motion smoother that allows adjusting the film's frame rate according to personal preferences. The Philips PUS8959 features a 10-step adjustment for functions called "Smoothness" and "Motion Blur Reduction." The "Smoothness" function is responsible for increasing the number of frames through interpolation, making the motion on the screen smoother, resembling the effect of so-called "soap opera." Meanwhile, "Motion Blur Reduction" focuses on minimising ghosting and improving motion clarity, which is particularly noticeable in dynamic sequences, such as action scenes or fast-paced sports shots.

When it comes to motion fluidity, the television performs remarkably well. Although the S7NQ was designed primarily for displaying static elements – such as images – the manufacturer has implemented a 144 Hz refresh rate matrix. As a result, sports and games look really good on it.

For materials that are not recorded at a high frame rate, the manufacturer has provided two features that allow you to adjust the picture to your own preferences. "Motion blur reduction" and "judder reduction" operate on a 10-point scale, allowing you to choose between a more cinematic image – with characteristic frame jumps – and a smooth effect reminiscent of a "soap opera". How to set this up? That’s a personal matter – we leave the decision to you.

Philips PUS8959 is a television that will certainly satisfy gaming enthusiasts. It supports most modern technologies useful during gameplay, such as HGiG, allowing for better reproduction of HDR effects in games. As a result, the image is closer to what the game creators intended to achieve.

The television also supports displaying images at 120 Hz, ensuring smoothness and dynamism, which is especially important during action games and sports broadcasts. The Game Bar feature allows for quick access to game settings, making it easier to adjust the image according to user preferences without interrupting gameplay.

Unfortunately, the Dolby Vision mode does not offer low input lag, which may be noticeable during dynamic scenes. Nevertheless, thanks to the HGiG feature and high refresh rate, the Philips PUS8959 remains an attractive choice for gamers, providing good image quality and adequate smoothness during gameplay.

Although the S7NQ is a "picture" type television, it can indeed be used for gaming. Really. Here you can find almost everything (except for the HGiG mode) that a modern gaming television needs. The 144 Hz panel and two full-fledged HDMI 2.1 ports allow for the hassle-free connection of two consoles, such as the PlayStation 5 or Xbox Series X/S.

The television supports Automatic Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), with no stuttering or issues. It also handles displaying high frame rates at lower resolutions without any trouble. Hisense deserves praise for a very attractive Game Bar – it displays all available picture options, and additionally, we have the ability to enlarge the minimap or turn on the crosshair (because sometimes someone might actually want to "aim" 😉).

The only missing element – as we mentioned earlier – is the lack of a proper implementation of the HGiG mode. It is specifically responsible for automatically adjusting the picture in games as the creators intended. It's a shame, because that’s the only thing preventing the Hisense S7NQ from being a full-fledged gaming "beast".

Philips PUS8959 TV offers impressive results in terms of input lag, making it an excellent choice for gamers. For content at 120 Hz, the lag is less than 6 ms, which is an absolutely outstanding result and allows for instantaneous reactions in games, especially in dynamic titles. For content at 60 Hz, the input lag is 15 ms, which is also an excellent result and ensures comfortable gameplay in most cases.

Unfortunately, the Dolby Vision mode does not perform as well, as the input lag increases to 31 ms. While this result may be acceptable for less dynamic content, it may be insufficient for demanding gamers, affecting precision and responsiveness. Nevertheless, in standard modes, Philips PUS8959 still offers remarkable performance, making it a competitive choice in the market for gaming TVs.

Input lag in the Hisense S7NQ is decent, though it cannot be said to be extraordinary – especially by the standards of 2024/25. Values around 30–20 ms may not be very high and the average player is unlikely to notice it, but those who spend a lot of time gaming may experience a slight discomfort.

The situation is definitely better when playing in Dolby Vision mode – then the latency is lower and the gameplay feels more pleasant. The problem is that there are still few games supporting this mode, and they are mainly available on the Xbox console.

Philips PUS8959 is excellent as a monitor for use with a PC. With support for chroma 4:4:4, it provides full colour clarity, which is crucial for working with text – fonts are sharp and legible, regardless of the background they are on. This makes using office applications, browsing the internet, and graphic editing comfortable and precise.

Additionally, the low input lag offered by the television ensures smooth and responsive operation, which is important both for everyday tasks and for more dynamic uses, such as gaming or media editing. Philips PUS8959 is an excellent choice for users looking for a television that will also serve as a PC monitor, offering high image quality and user comfort.

When it comes to working with a computer, the S7NQ Canvas TV performs really well. Gaming on it is seamless thanks to the presence of a 144 Hz panel and support for G-Sync with Nvidia cards. Input lag – as we mentioned earlier – is good, though not exceptional.

And what about work? It’s doable. The television has a correct implementation of chroma 4:4:4, so fonts look quite clear. You might nitpick about some minor issues with the thinnest letters on a dark background, but let's be honest – rarely does anyone sit a metre away from a 55-inch screen reading small text.

Philips PUS8959, equipped with an ADS panel, offers quite good viewing angles, definitely better than those found in VA panels. The image maintains its quality even when viewed from a greater angle – colours are clear, and the contrast does not deteriorate as much as with televisions featuring VA panels. As a result, watching the television from different spots in the room still allows you to enjoy well-saturated colours and overall image quality, making the Philips PUS8959 perfect for larger rooms and for watching together with family or friends.

The viewing angles here are typical for a VA panel. The S7NQ loses quite a bit when viewed at around a 45-degree angle – the colours fade, and the brightness clearly drops. It’s a pity, because after all, this is a television that is meant to display works of art – it would be nice to be able to look at them from different places in the room, not just straight on.

Philips PUS8959 features a satin finish on the screen that effectively reduces light reflections, which is beneficial when using the television in bright daytime conditions. However, such a finish causes blacks to take on shades of grey during the day, losing their depth and intensity, which affects the perception of image in darker scenes.

With a brightness level of 562 cd/m², it allows for comfortable viewing of the television during the day, even in well-lit rooms. The image is bright enough to cut through daylight, and the reduction of reflections provides decent visibility of content, making Philips PUS8959 a good choice for rooms where the lighting level cannot always be controlled.

The Hisense S7NQ Canvas TV is equipped with a matte display, which quite effectively suppresses reflections – very similar to its Chinese rival, the TCL A300 NXTVision. Unfortunately, both designs fall short in this category compared to Samsung's The Frame, which offers a significantly better anti-reflective coating. In the case of the Chinese models, including the S7NQ, colours fade quite noticeably under light, and black performs poorly in such conditions. The brightness of the television reaches around 500 nits – a fairly decent value for a matte screen, but still lower than that of the aforementioned The Frame. Generally, if someone prefers matte displays, well... it looks like it looks – Samsung simply did it better.

Philips PUS8959 is equipped with a three-sided Ambilight system – the flagship patent of this brand, which has enjoyed a devoted fan base for years. Ambilight consists of dynamic backlighting of the wall behind the television, adapting to the content displayed on the screen, significantly enhancing the viewing experience, especially in a darkened room. This effect is unique and adds a certain kind of "magic" to watching, making many users choose Philips specifically for this feature.

As for the operating system, Philips PUS8959 uses Titan OS – a system that is still in its early stages of development. Here, we can see the issues of growing pains, especially since Philips has moved away from Android in most of its models. Titan OS has a limited number of available applications. This is frustrating for those accustomed to a broader ecosystem like GoogleTV. Additionally, the television lacks AirPlay functionality, which limits its compatibility with Apple devices and may be a drawback for users seeking a flexible way to stream content.

The usability features of Philips PUS8959 are a mix of advantages and disadvantages. The remote control that comes with the television is quite annoying – it requires aiming directly at the screen, which can be inconvenient. On the other hand, the voice function works without the need to aim, but it only supports the English language. On the plus side, the remote is backlit, making it easier to use in the dark. The television does not have Picture-in-Picture (PiP) functionality or the ability to record programmes, which is a significant drawback. However, the television is equipped with Bluetooth, allowing for the connection of headphones or a keyboard, which can be useful – especially due to the limited number of available applications, which may encourage use of the built-in web browser.

As the Hisense S7NQ is a television designed for a specific purpose, we will start the description a bit differently – from the most important aspect of such models, which is the display of artworks. Like all "art" televisions, it features a special mount, allowing the screen to be installed completely flat. The biggest advantage compared to the Korean Samsung The Frame is the fact that, despite the lesser availability of images in gallery mode, all of them are completely free – there is no need to pay any subscription fees. An additional bonus included with the S7NQ is the light brown frame. This is quite a plus, especially if someone was planning to choose that colour anyway – it can save a bit of money on both the frame and the subscription.

However, when it comes to the quality of the displayed images, unfortunately, it is evident that the Samsung The Frame performs significantly better in this regard. In the S7NQ, the images look more digital, while in The Frame, the Art Store mode offers real scans of artworks, where you can even see the texture of the paint or the brush strokes of the artist. And once again, we return to an old truth – for better quality, you simply have to pay.

Fortunately, the S7NQ is not just an “art piece,” but also a regular television – and it performs really well in that role. Like most Hisense models with the VIDAA system, it has many basic functions such as USB recording, screen mirroring, and AirPlay support. As for applications – the most popular streaming services are present here, and you can find their full list below.

Despite the fact that the Titan OS system in the Philips PUS8959 television is still in its infancy, it deserves praise for supporting Polish subtitles embedded in films, which is a significant convenience for users relying on external files. If we want to play a film from a connected USB device, the television will do so without major issues, providing comfortable viewing without the need for additional subtitle configuration.

When it comes to photos, the television should have no major difficulties playing them. It supports most popular formats, although there is a lack of support for less common standards, such as HEIC used in Apple devices. This means that some photos, particularly from newer Apple devices, may require prior conversion to a more standard format for them to be played on the Philips screen.

The Hisense S7NQ effortlessly plays the vast majority of popular audio, photo, and video formats. So why the relatively low rating in this category? Well – due to software issues. This is yet another Hisense television that did not allow us to open external subtitles in films. Regardless of whether we are talking about the .ass, .srt, .txt, or .sub format – the subtitles simply did not appear.

The most amusing (or rather the most frustrating) thing about all this is that in the menu, we find options to change the font colour, size, and background… The problem is that the subtitles themselves are not visible at all.

The sound in Philips PUS8959 unfortunately leaves much to be desired. Although low tones can be heard in the playback, the bass is very weak, which translates to an overall unsatisfactory sound quality. The television plays at an average level, especially when compared to more advanced sound systems available on the market.

Despite the average quality of the speakers, the television supports all essential audio codecs, which may please users using external home theatre systems. Thanks to compatibility with various audio formats, the Philips PUS8959 is able to provide good audio experiences if connected to the right external speakers or receiver, delivering a fuller, more cinematic sound.

When it comes to sound, it presents itself... much like a television on the wall – that is to say, rather flat. Despite the use of a 2.0.2 speaker set with a total power of 36 W, we cannot speak of any exceptional sound quality here. But as is the case in most instances – buying even the simplest soundbar can radically change the situation.

On the plus side, it is worth noting the support for practically all popular Dolby and DTS codecs. This means we can easily connect the television to a home cinema system without having to fiddle with settings or sound conversion.

Philips The One (PUS8959 / PUS8919 / PUS8909 / PUS8949 vs Hisense S7NQ CanvasTV

Advantages

Disadvantages

Our verdict

TV appearance

Where to buy

Contrast and black detail

HDR effect quality

Factory color reproduction

Color reproduction after calibration

Smoothness of tonal transitions

Image scaling and smoothness of tonal transitions

Blur and motion smoothness

Console compatibility and gaming features

Input lag

Compatibility with PC

Viewing angles

TV efficiency during daytime

Details about the matrix

TV features

Playing files from USB

Apps

Sound