Samsung Q60D / Q67D / Q68D vs Hisense E7NQ PRO

The Samsung Q60D television, regardless of the scene being tested, achieves brightness above 500 nits, which is above average for this class of devices. Such a level of brightness allows one to experience a taste of true home cinema, with clearly visible details in bright parts of the image and well-reproduced contrast dynamics, especially when watching content from streaming platforms or movies played from Blu-ray. As a result, film screenings gain greater depth and realism, particularly in well-lit scenes. Despite the use of quantum dot technology (QLED), the television does not achieve outstanding results in colour reproduction. The coverage of the DCI-P3 colour space is only 90%, which may be noticeable in more demanding scenes, where the richness and saturation of colours play a key role in image quality.

Based on the luminance chart, which indicates around 550 nits, it can be said that Hisense E7NQ PRO theoretically has the potential to somewhat "magically" enchant us with its image in HDR. While testing various scenes from films, we noticed that the television continually tries to balance maintaining appropriate brightness with preserving the deepest blacks possible. In favourable conditions – for instance, during a scene from “The Meg,” where the screen is flooded with bright light – this brightness can indeed impress us. In such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when more challenging shots appear on the screen with small, bright elements on a dark background, the situation looks significantly worse. The brightness then drops to 200-300 nits, which is decidedly too little to truly distinguish HDR from standard SDR.

It is clear that the television tries, but hardware limitations – mainly the limited number of local dimming zones – prevent it from fully spreading its wings. The final effect is therefore often quite uneven and just as mediocre as in the contrast tests. However, it deserves credit for its impressive coverage of the DCI-P3 colour gamut at 97%. Thanks to this, the television can display a truly wide range of colours, which, in suitable scenes, can give us at least a taste of the true HDR effect. It’s just a shame that the overall experience is not complemented by better control of brightness and contrast.

Samsung has been offering a "Filmmaker" mode in its televisions for several years, aimed at providing the most faithful picture settings straight from the factory, in accordance with the vision of filmmakers. This is certainly a significant step towards cinematic quality at home; however, it is worth noting that this mode is not without its problems.

For instance, the white balance in both SDR and HDR modes exhibits an excessive amount of red hue, causing the picture to appear too warm. As a result, the skin of actors and bright scenes may seem unnaturally pinkish. The Colour Checker test further confirms this issue – colour samples often shift towards red tones, deviating from the neutral colour reproduction that would be more desirable in a professional setting.

When it comes to contrast, there is a noticeable drop at the beginning of the gamma graph, where values below 2.4 drop all the way down to 2.1. Consequently, the image in darker scenes may appear less distinct, losing depth. In terms of HDR content, the EOTF curve (responsible for brightness reproduction) shows a strong spike at the beginning of the graph, which may lead to excessive brightness in the lighter parts of the image, disrupting the natural tonal balance.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately began to check the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it too was not without its flaws. With standard SDR content, we noticed a clear tendency for excessive red enhancement, which made the image unnaturally warm. This was particularly evident in the comparative photo attached below. Conversely, when we switched to HDR content, the situation went in the opposite direction. This time, blue was dominant, and red was scarce, resulting in a cool effect, at times almost "shop-like" — although not as drastic as in those modes that are actually intended for display in exhibitions. As a result, in our tests assessing colour reproduction, these disturbances in colour balance led to significant errors.

Additionally, the television had issues with reproducing brightness characteristics. At lower resolutions, it noticeably brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) simply wouldn't conform as it should. Initially, the television excessively darkened the smallest details, only to then overly brighten larger areas. Fortunately, the E7NQ PRO provides us with plenty of calibration tools, so knowing that there is potential within it, we decided to take matters into our own hands and try to adjust it to eliminate these problems.

After professional calibration of the Samsung Q60D television in film mode, users can enjoy a significant improvement in image quality. Samsung televisions have always offered 2- and 20-point grey scale adjustments, as well as an advanced CMS (Color Management System), which allows for precise colour and shade adjustments. The white balance for both SDR and HDR has been free from strong spikes and tendencies for colours to shift to red hues, greatly enhancing the naturalness of the image. Although a few more significant errors can still be observed in HDR mode, the overall colour reproduction quality has been excellently improved. Regarding contrast, although drastic changes cannot be mentioned due to limitations in the television's technology, the improvement is noticeable. Thanks to calibration, details in dark scenes are more visible, and the differences between light and dark elements of the image have been enhanced. This makes the overall viewing experience more satisfying, allowing viewers to enjoy greater depth and realism in the displayed content.

Thanks to the tools available in E7NQ PRO, we managed to extract quite a decent image from it, especially with lower quality content. After refining the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision that the manufacturer intended to present. Additionally, we improved the brightness characteristic (Gamma), which means the television is no longer prone to excessive brightening, and everything presents itself distinctly better than before our intervention.

We also managed to achieve some results with HDR materials, although it isn’t quite as rosy here. Indeed, the white balance has approached an acceptable level, but the problem lies elsewhere. It concerns the EOTF curve, which is the way the television manages brightness and tonal range of the image. At first glance, it might seem that the biggest issue only relates to mid-tones being overly brightened. However, after more detailed testing and enabling the filters for displaying the EOTF curve, it becomes apparent that the receiver tends to brighten the entire screen. This appears to be a limitation arising from the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. Despite this, after our calibration, the image is noticeably better than at the outset. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even good calibration cannot fully overcome.

However, when it comes to processing and scaling lower quality materials, the television performs quite well. The image is rendered without overscan, which ensures full use of the available screen area. Additionally, the outlines of the model or the branches of the tree are not overly jagged, which translates to a satisfactory quality of the displayed content. Although noise reduction could be more effective, the overall results of processing lower quality materials are positive and meet expectations.

When it comes to the function of smoothing tonal transitions in lower quality materials, the "smooth and gradient image" feature in Hisense E7NQ PRO unfortunately does not impress. At the lowest setting, the change is hard to notice at all – it is rather a cosmetic improvement. Switching to "Medium" mode yields a noticeable effect, but it is still nothing special, and in the process, the television begins to excessively interfere with other elements of the image, which can look unnatural.

Moreover, image scaling is rather average. On the test screen, where a portrait of a model and text are displayed, slight jagged edges are visible, making the overall appearance less smooth and aesthetically pleasing than one would expect in this class of device. It's simply difficult to talk about truly effective improvement in the quality of lower resolution.

Samsung Q60D is equipped with a 60 Hz panel and a film smoothness enhancement option known as "Motion Blur Reduction." This feature aims to minimise motion blur and enhance overall image smoothness, which will certainly appeal to users who are primarily looking for a television to watch films and series. Thanks to this technology, viewers can enjoy a more fluid visual experience, even in dynamic action scenes where details are crucial. However, it is worth noting that while "Motion Blur Reduction" improves the smoothness of images in films, for gaming, this panel may not be the best choice as it exhibits significant motion blur, which can be seen in the picture below.

Thanks to the use of a 144 Hz panel, E7NQ PRO performs excellently with nearly every type of content. Whether we are watching fast-paced matches, dynamic games or action films – the smoothness of motion leaves a good impression. When it comes to films, the manufacturer has equipped the television with two key tools: "motion blur reduction" and "judder reduction". Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths out motion without compromising the cinematic quality of the image. The higher we move up the scale, the more the television interferes with the presented material, smoothing out motion more intensely, and consequently – minimising any judders or micro-cuts. Conversely, the highest settings can resemble the so-called "soap opera effect", which makes the image appear excessively smooth, slightly losing its filmic atmosphere. However, with such a scale, we can find a happy medium, adjusting the smoothness of motion to our own preferences.

Samsung Q60D is equipped with features such as ALLM (Auto Low Latency Mode), HGiG (HDR Gaming Interest Group) and Game Bar, which significantly enhance the gaming experience. However, the lack of HDMI 2.1 implementation limits capabilities, preventing the use of VRR (Variable Refresh Rate), which could further improve smoothness and picture quality. Overall, for casual gamers, this television should perform well in everyday use, providing satisfactory gaming experiences. However, if we are more demanding in terms of gaming, it is worth considering models with a higher refresh rate and HDMI 2.1, which will ensure full functionality and better support for the latest games. In such cases, investing in a more advanced television will yield significantly better results in terms of smoothness and picture quality, which is crucial for gaming enthusiasts.

If we sometimes enjoy turning on the console and immersing ourselves in the world of games for long hours, E7NQ PRO can make quite an impressive impact. Thanks to the 144 Hz refresh rate, gameplay is surprisingly smooth, and support for HDMI 2.1 and VRR ensures that the picture doesn't 'tear' even during the most dynamic actions. Additionally, there's ALLM, which automatically sets the lowest latency as soon as we switch to the console – so we don't have to fiddle with the options ourselves.

A major plus is also the ability to run games in Dolby Vision, making colours and contrast simply look better. Hisense has also added a clear 'gamebar', allowing us to constantly monitor the most important parameters and change settings without leaving the game. The only thing we might regret a bit is the lack of HGIG support. While it may not be a crucial element, it could matter to some gamers aiming for the most faithful representation of the creators' vision. Nevertheless, in practice, the E7NQ PRO performs excellently and provides truly enjoyable gaming experiences.