Samsung QLED Q80D vs Sony X75WL

In the context of HDR, the Samsung Q80D television achieves very positive brightness results in the tested film scenes, where the frame is filled with light, reaching values from 600 to 900 nits, allowing the user to experience a great juiciness of the image. Such results allow the user to feel the difference between HDR and SDR quality. Unfortunately, problems arise in situations where small light effects occur against a dark background. In such cases (e.g. test pattern 4 from the film Sicario 2), a noticeable drop in brightness can be observed, caused by the large sizes of the dimming zones used here. This limitation, combined with the dimming algorithm, affects how the television handles small bright elements against a dark background. At that point, we may perceive an unwanted lack of brightness, and the HDR effect resembles that of SDR.

The luminosity chart for the X75WL Sony television showed a maximum value of 350 nits, which is unfortunately not an impressive result. The television does not surprise with its brightness, and all the HDR scenes we tested lacked depth and the appropriate light effect that should accompany HDR content. Additionally, the poor coverage of the DCI-P3 colour gamut makes it difficult for the television to reproduce rich colours, which significantly affects the overall viewing experience of HDR content. The lack of adequate brightness and weak colour coverage mean that HDR effects are very limited in this model.

In "Filmmaker" mode, which is the best choice out of the box, the Samsung Q80D TV shows solid colour reproduction. For SDR content, a visible drop at the beginning of the gamma curve suggests that details in dark scenes may be less pronounced, impacting the overall viewing experience. Regarding white balance in SDR content, while it is generally accurate, significant drops in blue colour when screen coverage exceeds 70% can result in less natural hues in bright and dark scenes. Users may notice that some blue elements in the image may appear less intense, and the overall colour will have a warmer tint.

In contrast, for HDR content, the EOTF curve being above the reference line for most of the time indicates that the TV may struggle with accurately reproducing brightness and details in the brighter areas of the image, which may be disadvantageous for the viewer. It is also worth noting the substantial drop at the beginning of this graph, indicating that the TV has difficulties reproducing brightness in the darker areas of the image, as seen in the contrast and black tests, where several scenes were unable to showcase the full capabilities of the TV's brightness. In terms of its white balance, the initially good results on the graph are promising, but the sharp drop in red colour, which significantly falls down, combined with a large increase in blue colour, may lead to inaccuracies in reproducing certain skin tones and other key colours. This phenomenon may be noticeable to viewers in scenes where colour details are crucial.

Colour reproduction tests for the model Sony X75WL are carried out in movie mode, which offers the best image settings, but it also has its flaws. The biggest problem with the X75WL Sony is the white balance – for both HD and 4K HDR content – which is characterised by a dominance of blue. As a result, the entire image feels too cold. The colour checker confirms these errors, showing that the colours lean towards cooler tones. In terms of brightness characteristics, the contrast gamma is at a fairly decent level, however, the same cannot be said for the EOTF curve. There are significant issues with maintaining appropriate brightness – the image is either overly bright or too dim, which impacts the visual perception of content.

The film mode after calibration looks significantly better than the one you can see when taken out of the box. Samsung offers an advanced range of calibration tools in its televisions. Among them are 2- and 20-point greyscale adjustment and CMS (Colour Management System). Both in HDR and SDR mode, the white balance has improved significantly, although there are minor errors at the end of the graph in the case of HDR content. The contrast has also been greatly improved, and the gamma curve responsible for SDR shows better results. However, when it comes to HDR, the EOTF curve in the television seems to be at an ideal level at first glance. Yet, when we delve deeper and enable the EOTF graph while watching films, we may notice that all the lines of the curve are above the reference line. One could even say that the television is "cheating" when playing film materials. Such a situation, where the EOTF curve is above the reference line, makes the screen – although it may seem brighter, which some users may find attractive – lose detail in the darker parts of the image. In practice, this means that in scenes with a lot of shadows or dark elements, the television is unable to accurately render the details that should be visible.

X75WL Sony is one of those cases where image calibration may not be highly spectacular, but it offers a very good improvement in the perception of colours. The white balance, for both HD and 4K materials, has been significantly improved – there is no longer a strong dominance of cooler shades. The gamma curve also appears more stable, which translates into better image quality. However, the biggest issue remains the EOTF curve, which is responsible for brightness in 4K materials. Due to the technological limitations of the television (IPS panel and lack of local dimming technology), it is hard to speak of a significant improvement, as we cannot extract more from this model. Despite these limitations, the tonal quality of the image has been significantly enhanced.

Samsung Q80D performs very well with low-quality materials. The noise reduction works on the principle of gentle grading, making it very effective in smoothing out unwanted image disturbances. Unfortunately, this same effectiveness also causes elements that should not be smoothed, such as film grain, to become blurred. For those who value a pliable, smoothed image more, this can be seen as a significant advantage, especially for lower-quality content.

When it comes to image scaling, Samsung Q80D stands out positively in this aspect, significantly enhancing viewing comfort. The television handles the conversion of lower-resolution materials well, improving their quality and detail. For example, in the attached image with the model, there are no visible artifacts or excessive fraying of branches, which attests to the advanced image processing technology.

In the case of low-quality tonal transitions, the television Sony X75WL performs poorly. The lack of any feature to improve tonal transitions results in noticeable imperfections in colour gradation. However, one can credit the quite good digital processing – the image is displayed without overscan, and overall it looks relatively good thanks to the added slight sharpness, which some users may appreciate.

The Samsung Q80D television stands out very positively in terms of motion fluidity and motion blur reduction, primarily due to the applied 120Hz panel and above-average response time of the panel. Users have two options for adjusting fluidity: "Motion Smoothing," which allows for adjustment of smoothness on a 10-point scale, and "Blur Reduction," particularly effective at higher refresh rates, improving the sharpness of rapidly moving objects. In the UFO test, no motion blur is visible behind the moving object, and the image is not cloned forward, indicating a lack of overshoot effect.

The X75WL Sony television is equipped with a 60 Hz panel, making it more suitable for watching films than for dynamic gaming. This model features a motion smoothing function called Motionflow, which allows the user to adjust the picture on a 10-point scale. Smoothness is responsible for adding intermediate frames, thereby increasing the fluidity of motion, while the image becomes more theatrical, minimising the cutting effect. Clarity reduces motion blur, which is particularly useful in fast scenes such as sports or dynamic actions in films. With this feature, users can adjust the fluidity and sharpness of motion to their own preferences.

The Samsung Q80D television is a true gem for gamers. It is equipped with four HDMI 2.1 ports, which is a rarity, especially in this price range. This allows users to enjoy features such as ALLM (Auto Low Latency Mode), VRR (Variable Refresh Rate), and 120Hz in 4K resolution. These features ensure smoothness and responsiveness of the image, which is a key aspect during dynamic gameplay. The television also supports HGIG (HDR Gaming Interest Group), enabling optimal display of HDR content in games. Additionally, it is equipped with a Game Bar that allows quick access to gaming settings. Users of Nvidia graphics cards will also be pleased thanks to the implementation of G-Sync. This feature eliminates stuttering and screen tearing. The only downside is the lack of support for Dolby Vision mode, which may be disappointing for users looking for this HDR format. It is also worth mentioning that since 2022, thanks to a partnership with Microsoft, Samsung televisions offer the Xbox Game Pass application, allowing for cloud gaming. This is an additional advantage for gamers who want to access a wide library of games without the need for a console.

X75WL is not the best television for gamers. It only has the ALLM (Auto Low Latency Mode) feature and a basic Game Bar, which are not enough to satisfy more demanding users. In this price range, one could expect support for features like VRR or 120 Hz refresh rates - although in FULLHD, which are already standard - unfortunately, they are lacking here. This is a major downside for Sony, as the competition offers much more for gamers in a similar budget.