XIAOMI A PRO 2025 vs Hisense A7NQ

In the HDR category, the television Xiaomi A Pro is, to put it plainly, lacking. Under ideal conditions, it offers brightness at around 250 nits. This is a poor result; however, in this price range, many competing models offer similar or lower values. Such brightness is too low to fully realise the potential of HDR content. In practice, this means that the image does not gain the appropriate depth and intensity expected from high-quality HDR. These values are more characteristic of standard dynamic range (SDR), which means that the true HDR effect remains beyond the reach of this model, and scenes that should stand out with spectacular brightness and contrast seem flat and lacklustre. However, for its price, the television offers good coverage of the DCI-P3 colour gamut at 92%, thanks to the use of quantum dot technology (specifically PFS LED). This results in vibrant and saturated colours, which will appeal particularly to gamers and film enthusiasts who appreciate richer shades and better colour reproduction compared to traditional televisions without this technology.

We checked how the Hisense A7NQ performs with HDR, and there are no surprises here. The luminance graph showed a maximum brightness level of 370 nits. The result? Exactly what one could expect – average. At around 350 nits, HDR does not particularly stand out compared to SDR. Indeed, there is a subtle difference in more brightly lit scenes, but it is not an effect that leaves you stunned. As for the coverage of the wide colour gamut, the result was 92% for DCI-P3 and 70.2% for BT.2020. These are decent values for a TV in this class, which uses a PFS coating – the same one that is sometimes promoted as QLED. Colours look good, but we shouldn’t expect something that competes with the best screens on the market. HDR on the Hisense A7NQ is more of an addition than a "game changer." For those looking for solid image quality on a moderate budget – quite acceptable. However, if we expect full HDR capabilities, it is worth looking at models from the higher price range.

The Xiaomi A Pro 2025 television has been tested in movie mode, which offers the best colour reproduction straight out of the box. However, it is worth noting that it is not free from flaws. Analysing the white balance, it can be observed that the values for green are in the negative. This phenomenon leads to some distortions in the shades of white, and with pure white, the graph shows clear deviations. The over-contrasted image results in inappropriate tonal transitions in red, negatively affecting the quality of colour display. Generally, in the image below, it can be seen that the overall scenery before calibration acquires pink hues. Additionally, when analysing gamma contrast, the graph is significantly below the 2.4 value, suggesting that the television overly emphasises dark tones, and the brighter areas of the image may be less vivid. Furthermore, the EOTF curve shows a strong peak at the beginning, which can lead to a loss of detail in bright scenes and an unpleasant feeling of over-drawing. These aspects indicate a need for further calibration to achieve a more balanced colour reproduction and improve the overall image quality. Users who expect precise colour reproduction may be forced to take measures to adjust the television settings to achieve more realistic and natural visual results. In the xiaomi tv a pro 2025, the factory colour settings in Xiaomi are average and may require calibration. After proper colour adjustment, the image gains a natural and vibrant colour palette, much closer to cinematic standards. It is worth adding that the issue of inaccurate colour reproduction is typical for many televisions in this class, meaning it is not a flaw unique to the Xiaomi A Pro 2025 TV. For those who value perfect colour reproduction, professional calibration will prove to be a key element that enhances the overall image quality.

When testing the Hisense A7NQ in Filmmaker mode, we were hoping for compliance with the manufacturer's assumptions, but unfortunately, reality looks different. The main issue, as with most televisions, is white balance. In the case of the A7NQ, we noticed a clear dominance of blue, which affected both lower quality materials and 4K HDR content. The results of the Color Checker tests confirm this, and the comparative images speak for themselves – the leading actress in "factory" mode appears cool and pale. It looks as if she has been drained of life.

As for brightness characteristics, both gamma and the EOTF curve show that the image is excessively bright. As a result, everything appears flat, lacking depth and contrast. This state of affairs definitely does not work in favour of the A7NQ and makes the viewing experience in factory mode leave much to be desired. If we expect natural colour reproduction and appropriate image depth, the A7NQ in Filmmaker mode is unlikely to impress us. It is a television that requires considerable adjustment to bring out its potential.

Now it's time to check how the Xiaomi A Pro 2025 television has performed after calibration. The biggest beneficiary of this process is the white balance. After the calibration was conducted, all previous errors were corrected in both HD and 4K content, and most errors no longer fall significantly outside the value of "2". This means a much more balanced and natural colour representation, which certainly affects the viewing comfort. In terms of gamma, the drop was significantly reduced, resulting in a more consistent tonal representation across various scenes. Nevertheless, the EOTF curve has not been significantly improved due to a lack of effective control over dynamic tone mapping. This limitation means that there are still some issues with detail reproduction in bright scenes, which may affect the perception of certain materials. However, despite these minor shortcomings, the overall shape of the image is definitely better after calibration. The television has gained in quality, and the improved white balance along with reduced gamma issues allows users to enjoy a more realistic and pleasant visual experience. Further adjustment of settings may enhance image quality even more, but even now the television demonstrates its capabilities, meeting the expectations of many users.

Hisense A7NQ offers several tools that allow for improved image quality, so we decided to take matters into our own hands and "dig around" in the settings a bit. Thanks to professional tools and measurements, we managed to correct the white balance, eliminating the excessive dominance of blue colour in both HD and 4K materials. This is a significant step forward, as in the Color Checker test, the colour reproduction errors in lower quality content dropped to a much more acceptable level. Unfortunately, the 4K materials still fall short of perfection – the colour inaccuracies are considerable and stem from the limitations of the television.

As for the gamma, we managed to set it at the correct level, which significantly reduced the excessive brightening of the image. However, the issue with brightness characteristics in 4K content remains unresolved – the EOTF curve still shows excessive brightness across the entire screen. It’s possible that correct implementation of dynamic tone mapping could help here, but as we mentioned earlier, this feature in the Hisense A7NQ works rather poorly, rather than being helpful. Nevertheless, the calibration has significantly improved the overall image reception. The director's vision is now much better represented than in the factory settings, which will certainly be appreciated by more demanding viewers.

How does the Xiaomi A Pro 2025 television cope with tonal transitions, especially with lower-quality materials? Thanks to advanced digital processing, the colour contour removal function works surprisingly well. We recommend setting this option to "Medium" – the television significantly improves the fluidity of tonal transitions while avoiding excessive smoothing of other image elements, such as film grain.

In the case of the tested image featuring a model and numerous branches in the background, the Xiaomi A Pro 2025 showcased its capabilities in terms of digital processing. Adding artificial sharpness to this scene made the details of the model more pronounced, and her hair appeared more detailed. However, delicate contours appeared around the branches in the background, which were a result of digital interference. Although this enhances the overall impression of detail, excessive sharpness can make some elements of the image seem unnaturally emphasised.

The Hisense A7NQ impresses with the smoothness of tonal transitions in 4K content, but unfortunately, there is no feature here to improve this aspect in older materials of lower quality. In such cases, colour transitions become more visible, which can slightly detract from the overall image, especially in scenes with a lot of gradients.

When it comes to upscaling, the television performs surprisingly well. The image is noticeably improved, although there are some compromises. It can be seen that the television adds a bit of artificial sharpness, and background elements, such as branches, display slight "jaggies." However, these are details that will primarily catch the eye of those who pay attention to such nuances.

Xiaomi A Pro 2025 offers a motion smoothing feature called "Motion Smoothing," which primarily works in films. It can be adjusted to prefer either a more cinematic, film-like effect with visible frames, or a smoother, theatre-like image. This function should satisfy those who intend to watch mainly films on it. However, gamers and sports fans may feel disappointed. The 60 Hz refresh rate panel, typical in this price range, does not impress. Our "Ufo" test revealed some motion blur. Those expecting better sharpness of moving objects may be slightly let down.

The Hisense A7NQ is equipped with a 60 Hz panel, which means that dynamic scenes – for example in sports or games – perform rather averagely here. This is standard for this class of equipment, but it must be acknowledged that watching more intense, fast-moving content can leave a lot to be desired. However, when it comes to films, the television offers a motion smoothing feature that operates on a 10-point scale. The "judder reduction" option allows you to tailor the smoothness of the image to your own preferences. At the lowest setting, we get a natural film frame rate, which will please cinema purists. Meanwhile, the maximum setting provides a very smooth, theatrical image that may appeal to those who prefer a more "smoothed" motion.

Xiaomi A Pro 2025 offers several features useful for gamers, including Game Bar, which is different from the typical "dashboards" with interfaces found in other manufacturers' products. Thanks to this, users can quickly access game-related settings, which is convenient during intense sessions. The TV also supports Automatic Low Latency Mode (ALLM), meaning it automatically switches to a mode optimised for gaming, reducing signal latency. Unfortunately, it lacks support for HDMI 2.1, limiting its capabilities for connecting the latest gaming consoles that may require higher bandwidth. Additionally, the TV does not support features such as VRR (Variable Refresh Rate) or G-Sync, which are increasingly desired by gamers, as they allow for smoother visuals and eliminate tearing. For these reasons, although Xiaomi A Pro 2025 has some features for gamers, in this price range, better options can be found that offer more advanced solutions dedicated to gamers.

Hisense A7NQ is a piece of equipment that can pleasantly surprise gamers, although it is not without its flaws. The fact that we have a 60 Hz panel here immediately suggests that the television is not designed for the most demanding gaming scenarios. The motion blur that we described earlier can also be an obstacle, especially in dynamic games.

However, there are a few things that are worth praising. The television supports ALLM (automatic game mode) and VRR (variable refresh rate), which is not always standard in this price range. The biggest surprise, however, is that the A7NQ can display images at 120 Hz – albeit only in Full HD resolution, but nevertheless, it's a significant nod to gamers. This provides the option to choose between smoothness and resolution, which is not obvious in televisions at this price.

A nice addition is the Game Bar, which is clear and practical – all the most important functions are at hand, without digging through the settings. However, it lacks support for HGiG, which may be a disappointment for gamers looking for perfect HDR in games.