Hisense E7NQ PRO vs Sharp GR8

Based on the luminance chart, which indicates around 550 nits, it can be considered that Hisense E7NQ PRO theoretically has the potential to somewhat "enchant" us with its HDR image. While testing various scenes, we noticed that the TV continually tries to balance maintaining adequate brightness and preserving the deepest blacks. In favourable conditions – for instance, during a scene from "The Meg," where the screen is flooded with bright light – this brightness impresses. At such moments, we feel that HDR actually adds that "something" to the image. Unfortunately, when more challenging shots appear on the screen with small, bright elements against a dark background, the situation looks much worse. The brightness then drops to 200-300 nits, too little to distinguish HDR from regular SDR.

It's clear that the TV is trying, but hardware limitations – primarily the small number of local dimming zones – prevent it from fully spreading its wings. The result can therefore be quite uneven and just as average as in the contrast tests. However, it deserves credit for the impressive coverage of the DCI-P3 colour gamut at 97%. This allows the TV to showcase a wide range of colours, which, in the right scenes, can give us at least a taste of the true HDR effect. It’s a pity that the overall experience isn’t complemented by better brightness and contrast.

Sharp GR8 boasts "very high brightness" at a level of 500 nits in its promotional materials. Unfortunately, our tests showed that the reality is somewhat different – the average luminance value we managed to achieve was around 360 nits. This is rather an average result, especially in the context of the manufacturer's claims. Such brightness does not allow for a full enjoyment of HDR effects. The image is somewhat sharper than in standard SDR, but it is difficult to speak of true juiciness and depth in bright elements. However, the coverage of the DCI-P3 color palette at 95% deserves praise. This is the result of applying an additional PFS coating, known from QLED technology. As a result, colors are vivid and have a pleasant, natural tint, which partially compensates for the deficiencies in brightness.

When we took our copy of Hisense E7NQ PRO out of the box, we immediately started checking the available picture modes. Among them, the Filmmaker mode seemed the most promising, although it was not without flaws. With standard SDR content, we noticed a clear tendency for an excessive boost in red, which caused the image to appear unnaturally warm. This is particularly evident in the comparison photo included below. On the other hand, when we switched to HDR content, the situation went in the opposite direction. This time blue was dominant, and red was scarce, giving a cool effect, at times even a somewhat "store-like" impression — although not as drastic as in those modes that are actually intended for displaying in exhibitions. As a result, in our colour reproduction tests, these imbalances in colour balance led to significant errors.

Additionally, the TV had issues with rendering brightness characteristics. At lower resolutions, it clearly brightened the darkest elements of the image, and with HDR content, the brightness curve (eotf) did not want to align as it should. Initially, the TV excessively darkened the smallest details and then overly brightened larger areas. Fortunately, the E7NQ PRO provides us with plenty of calibration tools, so knowing the potential, we decided to take matters into our own hands and try to set it up to eliminate these issues.

At the outset, it is worth noting that color reproduction tests are always conducted in the best factory picture mode. In the case of the Sharp GR8, this is the "Film" mode. As for the white balance, which is a characteristic that affects how we perceive colors on the screen, in SDR mode, the strong dominance of blue immediately stands out. This results in an unnatural cooling of the image—blue elements take on a purple hue, and skin tones acquire a pink glow, which we can see in the comparative photo from the movie STAR WARS. During the Color Checker test, it was clearly visible how the color samples deviated from the reference values, confirming significant errors in color reproduction. Gamma was not perfect either—it caused excessive brightening of the entire image, causing the scene to lose depth and proper tonal transitions.

In 4K HDR mode, the situation looks much better. The dominance of blue is much less noticeable, although there are minor issues with the combination of red and blue. This makes some shades look somewhat unnatural. The EOTF curve, responsible for the brightness of the image in 4K HDR content, showed another problem—the television tends to excessively darken the image across the entire screen.

In summary, the "Film" mode on the Sharp GR8 would require some adjustments to fully utilize the potential of this television. Fortunately, we addressed this and proceeded to calibration.

Thanks to the tools available in E7NQ PRO, we managed to squeeze a quite decent image out of it, especially in the case of lower-quality content. After fine-tuning the white balance of the SDR materials, the colours look much more natural, and what we see on the screen seems closer to the vision the manufacturer intended to present. Additionally, we improved the brightness characteristic (Gamma), causing the TV to no longer have a tendency to over-brighten, and everything looks significantly better than before our intervention.

In HDR materials, we also managed to achieve some results, although it is not as rosy here. Indeed, the white balance has approached an acceptable level, but the problem lies elsewhere. It concerns the EOTF curve, which is how the TV manages the brightness and tonality of the image. At first glance, it might seem that the biggest issue pertains only to the mid-tones of the image, which are overly illuminated. However, after more detailed testing and enabling filters to display the EOTF curve, it is evident that the receiver tends to brighten the entire screen. This appears to be a limitation arising from the small number of local dimming zones and generally modest brightness management capabilities. Such hardware limitations are simply insurmountable. After our calibration, however, the image is noticeably better than at the start. One just needs to be aware that in terms of contrast and brightness management, this model has its limits, which even good calibration cannot fully overcome.

Sharp GR8 is one of those televisions that really gains a second life after proper calibration. Both in HD and 4K content, the white balance performs very well, especially considering the price segment of this model. The image becomes much closer to what the director wanted to show – colors look natural, and skin tones acquire the appropriate depth and warmth. The brightness characteristics also leave a very positive impression. Both gamma and the EOTF curve show really solid values. Although minor imperfections can be noticed, they are subtle enough that it's hard to see them during everyday viewing. In summary, calibration makes the Sharp GR8 show its best side, offering an image that is not only pleasant to the eye but also faithfully conveys the creators' intentions.

Unfortunately, the "smooth and gradient image" feature in Hisense E7NQ PRO does not impress when it comes to smoothing tonal transitions in lower-quality materials. At the lowest setting, the change is hard to notice—it's more of a cosmetic improvement. Switching to "Medium" mode already provides a noticeable effect, but it still isn't anything special. In addition, the television starts to excessively interfere with other image elements, which can look unnatural.

Image scaling is also rather average. On the test screen, where a portrait of a model and text are displayed, slightly jagged edges can be seen, which makes the overall presentation less smooth and aesthetically pleasing than we would expect in this class of device. It's simply hard to speak of truly effective enhancement of lower resolution quality here.

The Sharp GR8 is equipped with the "10-bit color reproduction" feature, which theoretically should improve the smoothness of tonal transitions. In practice... well, the effect is surprising, but not in a very positive way. Even at the highest settings, it's hard to notice any impact on the actual tonal transitions. Instead, the function surprisingly smooths out things it shouldn't – walls, shirts, or other flat surfaces look almost like they have been steam-pressed. In the test, we had to note that there is simply no actual impact on tonal transitions.

When it comes to image scaling, the Sharp GR8 performs significantly better here. The television is capable of giving the image a plastic, smooth characteristic, making even lower resolution content look quite good. Of course, with more demanding details, such as thin tree branches in the background, you can see slight jaggedness, but this is not something that would significantly affect viewing comfort.

Thanks to its 144 Hz panel, the E7NQ PRO performs excellently with almost every type of content. Whether we are watching fast-paced matches, dynamic games, or action movies, the fluidity of motion leaves a good impression. For movies, the manufacturer has equipped the TV with two key tools: "motion blur reduction" and "judder reduction." Each of these functions can be adjusted on a scale from 1 to 10.

At lower values, the processing is subtle, barely noticeable, and gently smooths motion without ruining the cinematic character of the image. The higher we move up the scale, the more clearly the TV intervenes in the presented material, smoothing motion more forcefully, thus minimizing any stutter or micro-cuts. On the other hand, the highest settings may resemble the so-called "soap opera effect," which makes the image look overly smooth, losing some of its cinematic atmosphere. However, with such a scale, we can find the golden mean, adjusting the fluidity of motion to our own preferences.

This is where the Sharp GR8 has the chance to stand out against the competition in its price segment. The TV is equipped with a 144 Hz refresh rate panel, which is an impressive result, especially if we plan to use it for dynamic content such as action movies, sports broadcasts, or video games. Additionally, the manufacturer has included a motion smoothing feature, commonly referred to as a "smoothener." The user has three levels of adjustment available, allowing them to tailor the effect to their own preferences – from subtle smoothing to more aggressive intervention in motion fluidity. This is a nice addition, especially for those who mainly watch movies and value smooth, cinematic sequences without annoying stuttering or frame drops.

If you enjoy switching on your console and immersing yourself in games for hours, the E7NQ PRO is sure to make a strong impression. With its 144Hz refresh rate, gameplay feels impressively smooth, while support for HDMI 2.1 and VRR prevents screen tearing, even during the most action-packed moments. Additionally, ALLM automatically applies the lowest latency as soon as you switch to your console, so there’s no need to tweak the settings manually.

A major plus is the ability to play games in Dolby Vision, enhancing colours and contrast for a more vibrant experience. Hisense has also included a user-friendly game bar, allowing you to monitor key performance stats and adjust settings without leaving the game. The only real drawback is the absence of HGIG support. While not essential, some gamers may miss it if they’re looking for the most accurate representation of a game’s intended visuals. That said, in practice, the E7NQ PRO delivers an excellent gaming experience that’s smooth, responsive, and enjoyable.

If a television has a 144 Hz display and two full HDMI 2.1 ports, it is clear that it has been designed with gamers in mind. The Sharp GR8 offers exactly that – high refresh rates and the right connections to maximize the performance of modern consoles and PCs. It also features ALLM, which automatically switches the television to low-latency mode, and VRR, which prevents screen tearing even in more demanding moments. In practice, everything works as it should, and it is hard to find any faults. However, there are some shortcomings. It lacks support for HGiG, which is a feature that better adjusts HDR for games, as well as a Game Bar that makes it easier to quickly adjust settings without leaving the game. Despite these downsides, the Sharp GR8 is a really solid option for gamers.